Let's Twist Again CD is a compilation of Chubby Checker, was released in 1993 on the Starlite records label. CD music contains a single disc with 18 best songs.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
It should come as no surprise that the music you listen to as a teenager echoes through your neurological pathways more than any other. Teenage music just means so much - it helps you figure out who you are and who you want to become. You listen to the same things over and over while feeling serious feelings.
This fun collection celebrates that old-time rock 'n' roll. The nostalgic Malt Shop Memories includes 150 songs that defined the era from the mid-'50s to the mid-'60s. The five-volume set comes in a decorative box fashioned to look like a malt shop and includes radio and jukebox favorites by Franki Valli and the Four Seasons, the Beach Boys, the Everly Brothers, Bobby Darin, and the Supremes.
The Cameo Parkway boxed set that we all have been dreaming of, 115 tracks including 74 chart hits! Painstakingly assembled from the best sources possible (98% from the original tapes), and all in original mono, the tracks include performances by all of the label's stars and its one-hit wonders. A booklet tells the fascinating story of this label.
He only had a few hits in the 1950s and early '60s, but as Bo Diddley sang, "You Can't Judge a Book by Its Cover." You can't judge an artist by his chart success, either, and Diddley produced greater and more influential music than all but a handful of the best early rockers. The Bo Diddley beat - bomp, ba-bomp-bomp, bomp-bomp - is one of rock & roll's bedrock rhythms, showing up in the work of Buddy Holly, the Rolling Stones, and even pop-garage knock-offs like the Strangeloves' 1965 hit "I Want Candy." Diddley's hypnotic rhythmic attack and declamatory, boasting vocals stretched back as far as Africa for their roots, and looked as far into the future as rap. His trademark otherworldly vibrating, fuzzy guitar style did much to expand the instrument's power and range.