Cikada Live at Huddersfield

Cikada Live at Huddersfield Contemporary Music Festival (2015)  Music

Posted by Piterets at June 30, 2016
Cikada Live at Huddersfield Contemporary Music Festival (2015)

Cikada Live at Huddersfield Contemporary Music Festival (2015)
Contemporary Classical | Lawo Classics LWC1086 | 2015 | 00:48:24 | EAC (FLAC, cue, log) | Booklet | Various File Hosts | 205 MB
Cikada Ensemble

Liza Lim's (b. 1966) compositional practice reflects on Asian ritual cultures, Australian Indigenous aesthetics, weaving and knots as a metaphorical ‘technology for thinking’, ecologies of collaboration, and distributed creativities. ...Alternative pop music has been as important a source of inspiration for Jon Øivind Ness (b. 1968) as the classical canon, though still he writes almost exclusively for acoustic classical ensembles.
The Who - The Violent Side: Live At Woodstock Festival 1969 (2CD) (1994)

The Who - The Violent Side: Live At Woodstock Festival 1969 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 513 mb
MP3 CBR 320kbps | RAR | 212 mb
Genre: pop rock, classic rock

The Violent Side is a 2CD bootleg by British rockers The Who. True to its subtitle, the album is a soundboard recording of the full set of The Who at Woodstock on 16 August, 1969. The second half of disc two are bonus tracks recorded at Young Vic in London, England in April of 1971. This comes courtesy of Countdown Factory.
Art Tatum - Piano Starts Here / Live at The Shrine (Zenph Re-performance) [Stereo + Binaural + MCH '2008] PS3 ISO + FLAC

Art Tatum - Piano Starts Here / Live at The Shrine (2008)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 38:32 minutess | Full Artwork | 2,65 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Artwork | 729 MB
"Zenph Re-performance" - SACD features Stereo, Binaural Stereo & Multichannel Surround sound

For many serious jazz fans, no pianist has ever approached the technical mastery of Art Tatum, though his virtuoso skills usually meant he was at his best unaccompanied. Many of his recordings from the 1930s and '40s were limited by the deficiencies of recording methods at the time. Zenph Studios decided to use 21st century computer technology to re-create this album, both the 1933 studio session and the famous 1949 concert…
James Booker - Resurrection of the Bayou Maharajah: Live at the Maple Leaf Bar (1977-82) {Rounder Records CD 2118 rel 1993}

James Booker - Resurrection of the Bayou Maharajah: Live at the Maple Leaf Bar (1977-82) {Rounder Records CD 2118 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 369 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1977-82, 1993 Rounder Records | CD 2118
Blues / Jazz / Piano Blues / Acoustic New Orleans Blues / R&B

For a man of such talent and influence, New Orleans piano legend James Booker is amazingly under-recorded. This disc and its partner (Spiders on the Keys) offer up some measure of what the folks of the Big Easy might have heard if they caught Booker on one of his "on" nights (he was a known drug user and inconsistent in his playing). He is at his best here (recorded at the Maple Leaf between 1972-1982), focused and intense in his playing, wildly passionate on both keyboards and vocals.
James Booker - Spiders On The Keys: Live At The Maple Leaf Bar (1977-82) {Rounder Records CD 2119 rel 1993}

James Booker - Spiders On The Keys: Live At The Maple Leaf Bar (1977-82) {Rounder Records CD 2119 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 314 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1977-82, 1993 Rounder Records | CD 2119
Blues / Piano Blues / Acoustic New Orleans Blues / R&B

This aptly named disc showcases James Booker's piano playing; his stretches and runs are breathtaking in their fluidity. This disc (along with its Rounder partner, Resurrection of the Bayou Maharajah) was culled from some 60 or so hours of tapes that John Parsons recorded at the Maple Leaf Bar from 1977 to 1982. The main difference in the music on the two discs is that this one is purely instrumental.
Pandit Bhimsen Joshi - Live At Darbar Hall (2007) {Kosmic Music KMD 529 - Indian Classical Vocal}

Pandit Bhimsen Joshi - Live At Darbar Hall (2007) {Kosmic Music KMD 529 - Indian Classical Vocal}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 363 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (png) -> 27 Mb | 5% repair rar
© 2007 Kosmic Music | KMD 529
Indian Music / World Music / Indian Classical / Hindustani Vocal / Raga

When I was about 14 years old in 1988, I heard Pandit Bhimsen Joshi voice very first time in my life in an Indian National Integration song called 'Mile Sur Mera Tumhara'. The moment I heard his voice, I felt like my spine was shaking with an ultimate bliss and I still have the same feeling whenever I listen to his voice. In my opinion and experience, he has Khayal's greatest male voice. Although 'Pandit Bhimsen Joshi' born in Karnataka (South India), he achieved greatest success in North Indian Classical Music.
Chet Baker Quartet - Live At New Morning (1983) {Marshmallow Japan CECC-00420 rel 1992}

Chet Baker Quartet - Live At New Morning (1983) {Marshmallow Japan CECC-00420 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1983, 1992 Marshmallow Japan / Century Records | CECC-00420
Jazz / Cool / West Coast Jazz / Trumpet

Very rare Marshmallow original album by Chet Baker. Recorded at "New Morning Club", Paris, France, November 24, 1983. American jazz trumpeter and singer Chet Baker became a star on the strength of such songs as "My Funny Valentine" before his career was derailed by drug use. Jazz trumpeter and singer Chet Baker was born in Yale, Oklahoma, in 1929. He rose to stardom in the 1950s with Gerry Mulligan's quartet and then as a bandleader, but encountered personal and professional difficulties after developing a heroin addiction. In 1988 Baker was in the midst of a late-career resurgence when he fell from an Amsterdam hotel window to his death.

Halford - Live At Saitama Super Arena (2011)  Music

Posted by v3122 at April 15, 2017
Halford - Live At Saitama Super Arena (2011)

Halford - Live At Saitama Super Arena (2011)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Metal God Ent., MGE7077386 | ~ 472 or 144 Mb | Scans(jpg) -> 62 Mb
Heavy Metal

Halford's Live at Saitama Super Arena, which features Roy Z and Metal Mike Chlasciak on guitars, Mike Davis on bass, Bobby Jarzombek on drums, and the "Electric Eye" himself, Rob Halford on vocals, incudes 15 tracks…

Bob Marley & The Wailers - Live At The Record Plant '73 (2015)  Music

Posted by delpotro at April 15, 2017
Bob Marley & The Wailers - Live At The Record Plant '73 (2015)

Bob Marley & The Wailers - Live At The Record Plant '73 (2015)
EAC Rip | FLAC (tracks+log+.cue) | 00:51:50 | 280 Mb
Raggae | Label: Rox Vox

"Taped for broadcast on KSAN-FM in the wake of the Wailers' ill-fated tour with Sly & The Family Stone, this superb live set features the classic line-up of Bob Marley (vocal, guitar), Peter Tosh (vocals, guitar), Aston "Familyman" Barrett (bass), Carlton "Carly" Barrett (drums, percussion), Earl "Wire" Lindo (keyboards) and Joe Higgs (vocals, percussion). It offers several classics from the landmark Burnin' LP, which had just been released, and finds Peter Tosh contributing some memorable vocals.

Benny Green - Happiness! Live at Kuumbwa (2017)  Music

Posted by Pisulik at April 14, 2017
Benny Green - Happiness! Live at Kuumbwa (2017)

Benny Green - Happiness! Live at Kuumbwa (2017)
Jazz | MP3 CBR 320 kbps | 00:50:07 | 114 MB
Label: Sunnyside | Release Year: 2017

Some of Green's best work has been in the trio format, historically a configuration that has been one of the most popular in the advancement of jazz. The ensemble featured here is made up of bassist David Wong and drummer Rodney Green. Benny Green has been performing at the Kuumbwa Jazz Center for more than 35 years. He was introduced to the stage while in the ensembles of Betty Carter and Art Blakey's Jazz Messengers. Since then, Green has tried to make a point of playing the Northern California venue yearly. Begun as a non-profit and festival in 1975, Kuumbwa has maintained a steady presence in the jazz world as one of the premier jazz venues in the United States.