The music industry sees artists come and go on a regular basis. Plans change, life gets in the way and bands fade away. Occasionally we’re lucky enough to see an important band return from their silence: enter At The Drive In. While At The Drive In was quiet, the members (Omar Rodriguez-Lopez, Cedric Bixler-Zavala, Tony Hajjar and Paul Hinojos) were incredibly busy, selling millions of albums, winning Grammys and putting out a lot of quality music with their other projects (The Mars Volta, Antemasque, Gone Is Gone and many more). After a 15 year break, the band returned to the studio to create the follow-up to 2000’s Relationship of Command.
In the summer of 2016 Drive-By Truckers recorded seven songs live with no overdubs at New York City’s legendary Electric Lady Studios. This exclusive live in-studio 12” will now be released exclusively for RECORD STORE DAY on April 22, 2017.
Relationship of Command is the third studio album by the post-hardcore band At the Drive-In, and was released in September 2000. The band reached mainstream success through the album, if only for a short time before their break-up in 2001. The album combines an aggressive hardcore edge with a melodic drive, harmonious and emotive vocals, and surreal lyrics. While the album continues in the alternative style of At the Drive-In's previous albums, Relationship of Command is seen as a more well-rounded album than its predecessors. Initially received positively by critics, the album is now seen not only as one of the most influential post-hardcore albums of the decade but also as one of the most accomplished recent works in the wider rock spectrum. Relationship of Command was voted 12th out of 100 in the Albums of the Decade by NME, and the 37th most influential album of all time by Kerrang!
In/Casino/Out is the second full-length album by American post-hardcore band At the Drive-In, released on August 18, 1998 through Fearless Records. It was recorded as a live studio album, with the intention of better capturing the energy and sound of their live shows. The album marks a clear middle ground between the dirty, lo-fi sound of their first album, Acrobatic Tenement, and the sleeker, more produced sound heard on Relationship of Command. In 2016, Rolling Stone placed the album at #20 in their "40 Greatest Emo Albums Of All Time" list.
Erik Satie's music is timeless and beautiful, but can it stand up to interpretation by downtown New York jazzbos? In the hands of Dan Willis & Velvet Gentlemen the answer is a resounding "YES!" Willis' arrangements are as brilliant as they are varied. There are some straightforward readings (as on most of the Nocturnes) right alongside some pretty inventive and even daring ones. Second Gymnopedie starts as an accordion-sax-drums trio, then slides almost imperceptibly to a guitar-trumpet-drums trio. John Hollenbeck's alway engaging drumwork ties it all together, but the really amazing thing is how much the tune now resembles Miles Davis' "All Blues!"
This well-recorded outing (which has been reissued on CD by Drive Archive) was trumpeter Freddie Hubbard's first worthwhile studio recording (with the exception of Super Blue) since the mid-'70s. Essentially a bebop date, Hubbard is teamed with a sextet comprised of altoist Richie Cole, trombonist Ashley Alexander, pianist George Cables, bassist Andy Simpkins and drummer John Dentz; altoist Med Flory sits in on "Byrdlike." Hubbard shows on such standards as "Shaw Nuff," "Star Eyes" and "Lover Man" that he could still play straightahead jazz with the best of them, Alexander is featured on "Stella by Starlight" and Cole is also in excellent form.
Drive is an album by American banjoist Béla Fleck. The album was produced toward the end of Fleck's New Grass Revival career and before the Flecktones were formed and included an all-star list of bluegrass performers…