One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure.
After many years of recording one commercial effort after another, Tom Scott finally recorded a strong jazz set. By using Born Again as the CD's title, Scott sought to demonstrate that he was returning to his roots; unfortunately, this promising direction would only be a one-shot deal. Scott, who was always a strong musician, shows that he had not forgotten how to improvise despite all of his commercial work. He is heard on tenor, alto, and soprano performing seven mostly straight-ahead originals and Wayne Shorter's "Children of the Night."
Featuring intimate documentary footage and interviews with Lopez and her closest friends, as well as spectacular in-concert renditions of many of her biggest hits, the docu-concert goes behind the scenes of the superstar’s first world tour…
This session was valve trombonist Bob Brookmeyer's first jazz date in 13 years after a period writing for the studios and then away from music altogether. Brookmeyer, who is featured in a quintet with cornetist Thad Jones, pianist Jimmy Rowles, bassist George Mraz and drummer Mel Lewis, proves to still be in prime form playing in an unchanged style. Other than the leader's uptempo blues "In a Rotten Mood" and a Latin piece ("Carib"), the quintet sticks to veteran standards. Highlights include "Sweet and Lovely," "Caravan" and "You'd Be So Nice to Come Home To."
A hard-luck blues band of the '60s, Canned Heat was founded by blues historians and record collectors Alan Wilson and Bob Hite. They seemed to be on the right track and played all the right festivals (including Monterey and Woodstock, making it very prominently into the documentaries about both) but somehow never found a lasting audience.
Le Peuple de l'Herbe is a French band playing electronic music, afrobeat and dub.
When trombonist/producer Wayne Henderson, pianist/keyboardist Joe Sample, sax-man Wilton Felder, and drummer Stix Hooper changed their name from the Jazz Crusaders to the Crusaders back in 1971, it signaled a more R&B-minded direction for the group – they were always funky, but in the '70s, they became even funkier. And so, the names the Crusaders and the Jazz Crusaders came to stand for two different things – if the Jazz Crusaders were synonymous with a funky yet acoustic-oriented approach to hard bop (à la Art Blakey's Jazz Messengers), the Crusaders were about electric-oriented jazz-funk and fusion. In 1995, Henderson (who left the Crusaders in 1975) resurrected the name the Jazz Crusaders and produced Happy Again for the small, Los Angeles-based Sin-drome Records.