Since the repertoire for cello octet is small and consists almost entirely of arrangements and new works, expect Four Winds, Conjunto Ibérico's 2002 release, to be somewhat eccentric and experimental. Leader Elias Arizcuren and his virtuoso cellists seek a happy medium between the intimacy and clarity of a much smaller chamber group, and the richness and power of a full string orchestra; but such a balance is hard to sustain, and their shifting back and forth feels unsteady. In Terry Riley's Requiem for Adam, the ensemble is pulled between extremes of symphonic density and chamber transparency, and this heavy arrangement seems only to distort the dynamics and textures of the original version for string quartet.
The ensemble London Winds, praised by BBC Music for its 'technical accomplishment, expressive commitment and warmth of timbre', presents in this recording great twentieth-century works for winds. It features music by Hindemith, Nielsen, and Janáček, and, from the next generation, Barber and Ligeti. Although not equally prolific (Kleine Kammermusik is Hindemith's single contribution to that genre while winds are generally more prominence in Nielsen's music), all these composers brought the wind repertoire back to prominence, after a quiet period of more than a century. The music is full of playfulness and European folk colours.
On January 20, 1973, Freddie King and a tight quartet performed at a TV studio in Dallas, Texas. "It was humming in there," recalls director Jim Rowley. "Absolutely cooking." King was 38 and enjoying what he called "the Fillmore circuit" in America as well as the adulation of throngs (including adoring rock stars) in Europe, especially England.
Reissue with the latest DSD remastering. Comes with liner notes. Guitarist Yoshiaki Masuo was only 22 years old when he recorded Winds of Barcelona, his first leader album, in 1969. He had been discovered by the Japanese jazz giant Sadao Watanabe, and had been a member of Watanabe's group for over a year. Masuo, and the fresh, new kind of jazz – sometimes referred to as "pop jazz" – was immensely popular at the time.