Dallas Winds Fennell

Aldeburgh Strings, Aldeburgh Winds - Strauss: Metamorphosen & Symphony for Wind Instruments (2017)

Aldeburgh Strings, Aldeburgh Winds - Strauss: Metamorphosen & Symphony for Wind Instruments (2017)
MP3 320 kbps | 01:18:04 min | Covers included | 179 mb
Genre: Classical / Label: Linn Records

Two super groups - the strings led by violinist Markus Däunert (leader of the Mahler Chamber Orchestra), and the winds led by oboeist Nicholas Daniel (whose distinguished career began with him being named BBC Young Musician of the Year) - combine in this, their second recording for Linn.
La Pifarescha - Di guerra e di pace: Renaissance Music for Winds & Percussion (2016)

La Pifarescha - Di guerra e di pace: Renaissance Music for Winds & Percussion
Classical | WEB FLAC (tracks) & d. booklet | 54:44 min | 268 MB
Label: Glossa | Tracks: 25 | Rls.date: 2016

Given the prevalence of war in the Europe of the Renaissance it is no real surprise that warlike themes and echoes of battles should find their ways into secular and civic music compositions or even into religious ones (such as the many LHomme armé and La Bataille masses of the time).
Eduardo Mata, Dallas Symphony Orchestra - Strauss: Death And Transfiguration/ Don Juan/ Salome: Dance Of The Seven Veils (1982)

Eduardo Mata, Dallas Symphony Orchestra - Strauss: Death And Transfiguration/ Don Juan/ Salome: Dance Of The Seven Veils (1982)
EAC Rip | WV (Img) + Cue + Log ~ 209 Mb | MP3 CBR320 ~ 122 Mb
Scans (PNG, 400 dpi) ~ 65 Mb | RAR 5% Recovery
Classical | RCA #RD84353

Eduardo Mata was an internationally known conductor. He conducted a wide repertoire and was particularly recognized for twentieth century music, particularly of Latin American composers. He began studying guitar when he was about eight years old. In 1953, he enrolled in the National Conservatory of Music, studying with Rodolfo Halffter and Jose Moncayo. From 1960 to 1963, he was in the composition workshop of Carlos Chavez and Julián Orbón. After winning a Koussevitzky Fellowship, he traveled to Tanglewood where he continued his studies in composition under Gunther Schuller and in conducting from Max Rudolf and Erich Leinsdorf…
Dallas Symphony Orchestra - Prokofiev: Scythian Suite; Stravinsky: Le Sacre Du Printemps (The Rite Of Spring) (1991)

Dallas Symphony Orchestra - Prokofiev: Scythian Suite; Stravinsky: Le Sacre Du Printemps (The Rite Of Spring) (1991)
EAC Rip | FLAC with CUE and log | scans | 297 mb
MP3 CBR 320kbps | RAR | 194 mb
Genre: classical

Prokofiev: Scythian Suite; Stravinsky: Le Sacre Du Printemps (The Rite Of Spring) is a 1991 album by the Dallas Symphony Orchestra, conducted by Eduarto Mata. This was released by Dorian Recordings.
Cello Octet Conjunto Iberico, Elias Arizcuren - Four Winds (2002)

Cello Octet Conjunto Iberico, Elias Arizcuren - Four Winds (2002)
EAC | FLAC (image+.cue, log) | Covers Included | 57:41 | 320 MB
Genre: Classical | Label: Et'Cetera | Catalog: 1252

Since the repertoire for cello octet is small and consists almost entirely of arrangements and new works, expect Four Winds, Conjunto Ibérico's 2002 release, to be somewhat eccentric and experimental. Leader Elias Arizcuren and his virtuoso cellists seek a happy medium between the intimacy and clarity of a much smaller chamber group, and the richness and power of a full string orchestra; but such a balance is hard to sustain, and their shifting back and forth feels unsteady. In Terry Riley's Requiem for Adam, the ensemble is pulled between extremes of symphonic density and chamber transparency, and this heavy arrangement seems only to distort the dynamics and textures of the original version for string quartet.
Les Vents Francais - Beethoven: Chamber Music for Winds (2017)

Les Vents Francais - Beethoven: Chamber Music for Winds
Classical | WEB FLAC (tracks) & d. booklet | 79:44 min | 323 MB
Label: Erato - Warner Classics | Tracks: 21 | Rls.date: 2017

This extra helping of Beethoven’s music for winds comes on the heels of Les Vents Français’s recent triple-CD release Winds & Piano, praised by The Telegraph for “stylistically sure and interpretatively ear-catching” performances, including one of Beethoven’s Op.16 Quintet, which earned the group added plaudits for “astutely balanced and finely observed” playing. This recording offers much more of a good thing, with Beethoven grouping the winds in a variety of smaller combinations.
Die Freitagsakademie - Wiener Klassik: Beethoven And Mozart Quintets For Piano And Winds (2016)

Die Freitagsakademie - Wiener Klassik: Beethoven And Mozart Quintets For Piano And Winds (2016)
Mp3 CBR320 Kbps -> 116 Mb (5% Rec.)
Classical | Label: Winter & Winter | 2016 | 0:48:50

The premiere of Mozarts Quintet for piano and winds must have been a shock and at the same time a delight for the audience of the 18th century. The immense richness of colors and sounds were entirely unusual. Mozart had been searching for new challenges and was rewarded. After the premier on April 1st, 1784 Mozart has written to his father: ""I myself consider it to be the best thing I have written in my life."" Mozart celebrated one of the greatest triumphs of his career. For the first time the near-orchestral rich sonorities, the masterful harmony and the continuing and vigorous dialogue of the oboe, clarinet, horn and bassoon in relation to the piano was heard. Only thirteen years later Beethoven used the same unusual combination of instruments. His quintet for piano and winds was also premiered in Vienna on April 6, 1797. Both artists chose to compose for an entire unique and by that date unknown instrumentation and each had his own musical approach.
London Winds - Music for Winds: Janáček, Nielsen, Barber, Hindemith, Ligeti (2015)

London Winds - Music for Winds: Janáček, Nielsen, Barber, Hindemith, Ligeti (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 80:13 | 294 MB
Genre: Classical | Label: Chandos Records | Catalog: CHAN 10876

The ensemble London Winds, praised by BBC Music for its 'technical accomplishment, expressive commitment and warmth of timbre', presents in this recording great twentieth-century works for winds. It features music by Hindemith, Nielsen, and Janáček, and, from the next generation, Barber and Ligeti. Although not equally prolific (Kleine Kammermusik is Hindemith's single contribution to that genre while winds are generally more prominence in Nielsen's music), all these composers brought the wind repertoire back to prominence, after a quiet period of more than a century. The music is full of playfulness and European folk colours.

Ashleigh Dallas - Lighthouse (2017)  Music

Posted by Pisulik at Jan. 10, 2017
Ashleigh Dallas - Lighthouse (2017)

Ashleigh Dallas - Lighthouse (2017)
Country | MP3 CBR 320 kbps | 00:54:15 | 128 MB
Label: Checked Label Services | Release Year: 2017

Golden Guitar winner, born and bred Tamworth girl, Ashleigh Dallas has always followed in her family’s love of Country Music. At a young age, Ashleigh has taken her music to many different stages, and to the ears of many different audiences. Growing up in the Dallas family, Ashleigh was performing on stage from an extremely young age. Starting out on her Grandfathers (four time Golden Guitar Winner & Roll of Renown recipient, Rex Dallas) property: The Gully Round Up, and the ever popular Gully Grub Barn, where Ash would recite poetry and sing her favourite songs, then sell CD’s while the rest of the family did there thing.

Freddie King: Live In Concert Dallas Texas 1973 (2000)  Music

Posted by robi62 at Jan. 9, 2017
Freddie King: Live In Concert Dallas Texas 1973 (2000)

Freddie King: Live In Concert Dallas Texas 1973 (2000)
Video: NTSC, MPEG-2 at 6 764 kb/s, 720 x 480 at 29.970 fps | Audio: AC-3 2 channels at 192 kb/s, 48.0 kHz
Genre: Blues | Label: Omnibus Video | Copy: Untouched | Release Date: 1 Jan. 2000 | Runtime: 58min. | 2,89GB (DVD5)

On January 20, 1973, Freddie King and a tight quartet performed at a TV studio in Dallas, Texas. "It was humming in there," recalls director Jim Rowley. "Absolutely cooking." King was 38 and enjoying what he called "the Fillmore circuit" in America as well as the adulation of throngs (including adoring rock stars) in Europe, especially England.