Contains one CD and one DVD! After wearing out Delmark's 2003 set celebrating 50 years of great jazz you probably thought you were going tohave to wait at least until 2013 for another such anniversary collection but when you've got a rich catalog like Delmark's and a label head like Bob Koester who is committed to keep expanding that catalog, why not seize every opportunity to throw a party for your enterprise-and all the great artists behind the candles on the cake? CD features Coleman Hawkins, Sun Ra, George Lewis, Curtis Fuller, Deep Blue Organ Trio, Francine Griffin and more. DVD features Nicole Mitchell, Ari Brown, Fred Anderson, Chicago Underground Trio and more.
This four-disc, 100-track box set differs from most blues compendiums on a number of fronts. For openers, it focuses on the first 20 years of blues recordings, from 1924's "Barrelhouse Blues" by Ed Andrews to 1946's "Rhythm Mama" by Johnny Temple. Second, even though there are entries from artists like Blind Blake, Mississippi John Hurt, Son House, Skip James, Big Joe Williams, Bukka White, and Lonnie Johnson, the box is not overloaded with big-name artists. Instead, the set leans toward more obscure names, like …
The music on A Quiet Revolution is sorted by general style, not chronologically. Discs 1 and 2, Elements and Peace, focus more on the label's pastoral textures, and disc 3 (Artistry) explores more ambitious or ensemble pieces. Disc 4 (Excursions) might be viewed by some long-time fans as "Wayward Hill," with its assortment of latter-day vocal stylings and traces of smooth jazz.
This is a good collection of piano-accompanied vocals sporting bluesmen who worked the lumber camps and oil fields of rural Texas, as well as the red-light districts of cities like Galveston and Houston. Big Boy Knox shows a strong city influence in his decorative right-hand work, as does Robert Cooper, whose playing points to the influence of Fats Waller. Joe Pullem is on board with his hit, "Black Gal," which is perhaps overstated by three takes and a variation. The vocals are good, however, and the piano playing is uniformly excellent. Stylistically, this music falls somewhere between ragtime, blues, and vaudeville.
This unique harpsichord recital by Trevor Pinnock charts two incredible musical journeys four hundred years apart. Inspired by the travels of Antonio Cabezón, the sixteenth century organist and composer, Pinnock’s programme weaves a path not only through Cabezón’s life but also through his own enviable career. In celebration of his seventieth birthday, Pinnock has chosen a personal selection of works that evoke vivid memories from different stages of his life.