Destouches

Lucette Destouches - Céline segreto  eBooks & eLearning

Posted by SSCN1926 at April 23, 2015
Lucette Destouches - Céline segreto

Lucette Destouches - Céline segreto
Italian | Lantana | 2014 | EPUB | Pages 108 | ASIN: B00K6N1Z46 | 1.57 Mb
Lully - Le Bourgeois gentilhomme; Campra - L'Europe galante (Gustav Leonhardt) [2010/1973]

Lully - Le Bourgeois gentilhomme; Campra - L'Europe galante (Gustav Leonhardt) [2010/1973]
Classical | Deutsche Harmonia Mundi 88697576312 | TT: 134.10 | EAC (FLAC, cue, log) | Covers | 589 Mb

This two-CD album brings together the two earliest recordings by La Petite Bande. They were made in 1973 and feature landmarks in two important French forms of entertainment—comedie-ballet and opera-ballet. Performed in 1670 at Chambord, one of Louis XIV's grandest country retreats, Le bourgeois gentilhomme was the high water mark of Lully's collaboration with Moliere and was to be the last work of its kind on which the two worked together. Moliere developed the comedie-ballet from the fashionable court ballets, working the dances and music into the body of the play with unparalleled skill. Lully, himself a dancer, proved a gifted partner as the music for Le bourgeois gentilhomme reveals.

George Frideric Händel - Amadigi Di Gaula (Highlights)  Music

Posted by frangarbla at May 25, 2012
George Frideric Händel - Amadigi Di Gaula (Highlights)

George Frideric Handel - Amadigi Di Gaula (Highlights) (1991) (re-post)
EAC secure mode FLAC (image+cue+log) | 332.97 Mb | 72:23 minutes | Full info & Covers.
classical, opera | Erato Records, recorded between November & December 1989, published in 1991

Amadigi di Gaula (HWV 11) is an opera with music by George Frideric Handel. The identity of the librettist is not known for certain. Previous consensus had been that John Jacob Heidegger was the librettist, but more recent research has indicated that that the librettist was more likely to be Giacomo Rossi, with Nicola Francesco Haym as another candidate....

George Frideric Händel - Amadigi Di Gaula (Highlights) (1991)  Music

Posted by frangarbla at April 16, 2010
George Frideric Händel - Amadigi Di Gaula (Highlights) (1991)

George Frideric Händel - Amadigi Di Gaula (Highlights)
DbPowerAmp, FLAC (tracks, log, no cue) + MP3 (320 kbps CBR) | 360.09 Mb (FLAC) + 169.49 (MP3) |72:23 minutes | Full info & Covers.
classical, opera | Erato Records, recorded at the Maison De La Radio, Studio 103, Paris between November & December 1989, published in 1991

Amadigi di Gaula (HWV 11) is an opera with music by George Frideric Handel. The identity of the librettist is not known for certain. Previous consensus had been that John Jacob Heidegger was the librettist, but more recent research has indicated that that the librettist was more likely to be Giacomo Rossi, with Nicola Francesco Haym as another candidate...

V.A. - 200 Ans De Musique: Versailles (20CDs, 2007)  Music

Posted by Discograf_man at July 21, 2017
V.A. - 200 Ans De Musique: Versailles (20CDs, 2007)

V.A. - 200 Ans De Musique: Versailles (20CDs, 2007)
Classical, Barocco | MP3 CBR 320 kbps | 2,65 Gb | Scans 18,7 Mb
Label: Centre de Musique Baroque Versailles

In October 2007, the Centre Musical de Baroque de Versailles celebrated its 20th anniversary, together with the best French musicians around. To complete this anniversary, they now present the release of a 20-CD box with numerous musical highlights, both of the anniversary concerts as well as releases from the previous 20 years. Thanks to this jubilee box, you can now witness this landmark of French Baroque music.

Louis-Ferdinand Céline, "Semmelweis"  eBooks & eLearning

Posted by TimMa at Feb. 20, 2017
Louis-Ferdinand Céline, "Semmelweis"

Louis-Ferdinand Céline, "Semmelweis"
Gallimard | 2014 | ISBN: 2070755835 | French | EPUB/AZW3/PDF | 128/98 pages | 0.1/0.2/0.6 MB

'Et c'est vers la fin de ces deux années passées dans la chirurgie qu'il écrivit, avec cette pointe de hargne par laquelle se caractérise déjà sa plume impatiente : Tout ce qui se fait ici me paraît bien inutile, les décès se succèdent avec simplicité. On continue à opérer, cependant, sans chercher à savoir vraiment pourquoi tel malade succombe plutôt qu'un autre dans des cas identiques.
Et parcourant ces lignes on peut dire que c'est fait ! …
Antoine Dauvergne - Hercule Mourant [2CD] (2012) {Aparte} [re-up]

Antoine Dauvergne - Hercule Mourant [2CD] (2012) {Aparte}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 754 Mb | MP3 @320 -> 356 Mb
Full Artwork @ 300 dpi (png) -> 285 Mb | 5% repair rar
© 2012 Aparte | APO42
Classical / Opera / Baroque

Following on the international success of their recording of Lully's Bellerophon, Christophe Rousset and his ensemble Les Talens Lyriques present Hercule mourant (Hercules Dying) - an undiscovered operatic treasure by Antoine Dauvergne. When Francoeur and Rebel took over as directors of the Academie Royale de Musique (the Paris Opéra) in 1757, they decided to promote some of the new generation of composers. Among them was Dauvergne, who appears to have enjoyed great favor at that time. Premiered in 1762, Hercule mourant was a success, receiving eighteen performances.

Michel Bitbol, Jean Gayon, "L'épistémologie française, 1830-1970"  eBooks & eLearning

Posted by TimMa at Dec. 9, 2015
Michel Bitbol, Jean Gayon, "L'épistémologie française, 1830-1970"

Michel Bitbol, Jean Gayon, "L'épistémologie française, 1830-1970"
Publisher: Matériologiques | 2015 | ISBN: 291969491X | French | PDF | 463 pages | 2.8 Mb

Épistémologie française, cela peut signifier deux choses. C'est d'une part une entité géographique (l'ensemble des épistémologues de langue et de culture française), d'autre part le nom d'une forme de pensée spécifique, qui affirme la solidarité de problèmes (allant de la théorie des fondements de la connaissance à la philosophie des sciences) que d'autres traditions tendent à dissocier…
Marc Minkowski, Les Musiciens du Louvre - Handel: Amadigi di Gaula [1991]

Handel - Amadigi di Gaula (Marc Minkowski) [1991]
Classical | Erato 2292-45490-2 | TT: 76:31+73:13 | EAC (FLAC, cue, log) | Covers | 651 Mb

Amadigi di Gaula (HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for London and was composed during his stay at Burlington House in 1715. It is based on Amadis de Grèce, a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. Charles Burney maintained near the end of the eighteenth century, Amadigi contained "…more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined.” The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715. Handel made prominent use of wind instruments, so the score is unusually colorful, and at points resembles the Water Music, which he composed only a few years later. An exceptional care was lavished to the production. Amadigi employs no voices lower than alto and it ends in a minor key. The opera was a success and received a known minimum of 17 further performances in London through 1717.

Charles-Simon Catel - Semiramis (2012) [2CD] {Glossa}  Music

Posted by ruskaval at June 3, 2013
Charles-Simon Catel - Semiramis (2012) [2CD] {Glossa}

Charles-Simon Catel - Semiramis (2012) [2CD] {Glossa}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 501 Mb | MP3 @320 -> 294 Mb
Full Artwork @ 300 dpi (png) -> 582 Mb | 5% repair rar
© 2012 Glossa / Palazzetto Bru Zane | GES 921625-F
Classical / Opera

First performed at the Paris Opéra in 1802, Sémiramis by Charles-Simon Catel is an example of the revival at that time of the tragédie lyrique inherited from Gluck. A work with a touch of exoticism (Babylon), expressing the pathos of isolation, but also with pomp in its ambitious finales, the work bade farewell to the ‘Louis-XVI style’ and announced, in a neo-Classical style, the grand opéra of the Romantic period. But it came at a time of polemics between supporters and detractors of the new Paris Conservatoire, where Catel, at that time professor of harmony there, had made so many enemies that the audience pit at the Opera was bristling with vengeful hostility when the curtain rose on the first act…