A homage to the memory of victims of the slave trade. This new multicultural project from Jordi Savall and his musicians on The Routes of Slavery (1444-1888) marks a world first in the history of music and of the three continents involved in the trade in African slaves and their exploitation in the New World, which are brought together through the early music of the colonial period, the musical traditions of Mali and the oral traditions of the descendants of slaves in Madagascar, Brazil, Colombia and Mexico. This 'Musical Memoir' is accompanied with historical texts on slavery, beginning with the early chronicles of 1444 and concluding with texts written by the Nobel Peace Prize-winner Martin Luther King shortly before his assassination in 1968.
Life after Carnival Records finds the Manhattans recording for the Deluxe label, where they cut some charmers. George "Smitty" Smith had polished his God-given, captivating, crying tenor into an instrument that ranked with the greats. With These Hands is the closest the Manhattans came to recording an album of standards or pop material.
Arguably the greatest find in Mister Stormy’s trawl through the Crimson archives: uncovering a previously unheard set on the second night at the band’s stint at The Marquee. Having only had the fairly grim-sounding bootleg to go on, it’s wonderful to hear the band in pristine sound. Fascinating also to at last be able hear some of the vocal harmony ideas that they had in mind for Formentera Lady.