Exactly ten years after Dire Straits' first compilation, Money for Nothing, appeared in the stores, their second, Sultans of Swing: The Very Best of Dire Straits, was released. A decade is a significant span of time, and the average band would have produced enough material for an entirely different collection, one that shared no similarities with its predecessor. Dire Straits is not the average band, however, and during those ten years, they released exactly two albums – 1991's On Every Street, their first studio album since Brothers in Arms in 1985, and 1993's On the Night, a live album culled from tapes of the record's supporting tour. Not quite enough new material for a new greatest-hits album, but it had been years since Dire Straits had released an album of any sort (a compilation of BBC sessions snuck into the stores in 1995) – hence the birth of Sultans of Swing.
"Sultans of Swing" was the first single release of the British rock band Dire Straits; first released in 1978, its 1979 re-release caused it to become a U.K. and U.S. hit. The song was first recorded as a demo at Pathway Studios, North London in July 1977, and quickly acquired a following after it was put on rotation at Radio London. It did not take long for its popularity to reach record executives, and Dire Straits were offered a contract with Phonogram Records. The song was then re-recorded in early 1978 at Basing Street Studios for the band's debut album Dire Straits. The record company wanted a less-polished rock sound for the radio, so an alternative version was recorded at Pathway Studios in April 1978 and released as the single in some countries including the United Kingdom and Germany.
The defiance inherent in this collection's title suggests that, after all these years, The Knack still have to prove themselves. Branded as Beatle rip-offs, sexist beasts, and one-hit wonders, it's a wonder the band had the will to plug its guitars in let alone continue releasing albums. As the title suggests, PROOF is a telling document. Normally, when taken out of context, nearly every overnight sensation sounds like a quaint time capsule reminder of an era gone by. Not so with The Knack. The band's brand of power pop has aged not a whit.
Unlike previous collections Epic has assembled, the double-disc The Very Best of Meat Loaf draws not only from his recordings for the label, but it also licenses his '90s comeback recordings for MCA. Which means, of course, that the 20-track collection is, indeed, the "very best" of Meat Loaf. Not all of his charting hits are here – "What You See Is What You Get," his 1971 single with Stoney, is absent, as is "I'm Gonna Love Her for the Both of Us," the only hit he had between the two Bat out of Hell albums – but all of the key album tracks from the two blockbusters are here, along with highlights from the sequels to the sequel, which means everything that anyone but a die-hard Meat Loaf fan could want is on this collection…
Peter Green is regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. Born Peter Greenbaum but calling himself Peter Green by age 15, he grew up in London's working-class East End. Green's early musical influences were Hank Marvin of the Shadows, Muddy Waters, B.B. King, Freddie King, and traditional Jewish music. He originally played bass before being invited in 1966 by keyboardist Peter Bardens to play lead in the Peter B's, whose drummer was a lanky chap named Mick Fleetwood…
The Very Best of Kim Wilde is a compilation album by Kim Wilde. The album was released in November 1984, after she left the RAK Record label. It featured tracks taken from her first three albums, the non-album singles, "Child Come Away" and "Bitter is Better" (Japan only) and a B-side ("Boys"). Japan edition featuring the Japan-only single "Bitter is Better' making it's first appearence on CD.
The Very Best of Level 42 is a compilation released by the UK band Level 42. It features a chronological track listing of the band's hit single releases from 1981 to 1994.