Collection includes: I Can't Stand Still (1982); Building the Perfect Beast (1984); The End of the Innocence (1989); Inside Job (2000); The Very Best of Don Henley (2009).
Songs of Leonard Cohen is the debut album by Canadian folk singer-songwriter Leonard Cohen, released in December 1967 on Columbia Records. Less successful in the US than in Europe, Songs of Leonard Cohen foreshadowed the kind of chart success Cohen would go on to achieve. It reached number 83 on the Billboard 200 and achieving gold status in the US only in 1989, but peaked at number 13 on the UK Albums Chart, and spent nearly a year and a half on it. Songs of Leonard Cohen was released on CD in 1989, while a digipak edition was released in some European countries in 2003. A remastered version, with the bonus tracks "Store Room" and "Blessed is the Memory," was released in the United States on April 24, 2007.
In May 2006, Leonard Cohen published his first collection of poetry in 22 years, Book of Longing, having previously used some of the material as songs on his most recent albums, Ten New Songs (2001) and Dear Heather (2004). The book touched on many of the themes he had explored throughout his writing career, including spirituality (he had spent part of his time between books as a postulant at a Buddhist monastery), eroticism, and self-deprecating humor. On June 1, 2007, at the Luminato Festival in Toronto, Ontario, composer Philip Glass premiered his song cycle based on Book of Longing, which is here given a two-CD recording. Cohen is present on the album speaking (not singing) some of his poems, and Glass also has set some of them to music, with singing by a soprano (Dominique Plaisant), a mezzo-soprano (Tara Hugo), a tenor (Will Erat), and a bass-baritone (Daniel Keeling).
An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
Digitally Remastered Compilation Chosen by the Staff of Mojo Magazine to Introduce a New Generation to the Great Music of the Past. The Legendary Canadian Poet and Songwriter is in the Same Class as Bob Dylan and Serge Gainsbourg, but Never Had the Kind of Mass Exposure and Celebration that the Other Two have Experienced, Except in Influential Circles. Doubtless There Will One Day Be a Vehicle (Movie, Cover Version) which Will Elevate Cohen to the Commercial Level of his Contemporaries. In the Meantime, You Can Enjoy this Selection by People who Know his Music Backwards and Forwards and Delve Into the Psyche of a True Genius with this Collection. It Will Only Leave You Yearning for More, So Get Ready to Open Up Your Pocketbook to his Catalog.
Given the subject matter in its title track, Leonard Cohen's advanced age (82), it's tempting to hear You Want It Darker as a last album. In advance of its release, he even told The New Yorker that he was ready to die, only to walk the comment back later. Whether it is or isn't, You Want It Darker is a hell of a record…
Following in the footsteps of your father is a difficult task, particularly if your father is someone as darkly gifted and idiosyncratic as Leonard Cohen. Adam Cohen, however, is sharp enough to avoid being pegged as a "new Leonard Cohen." That doesn't mean he establishes himself as an individual musical talent on his eponymous debut. Cohen does occasionally flirt with the somber poetry his father made famous, but his music is altogether more polished, sounding like smooth adult contemporary instead of haunted folk. That would have been forgivable if the songs actually said something. Instead, Cohen wallows in sophomoric poetry and insights that are far removed not only from his father's work, but most of his late-'90s peers. There is some promise in his melodies, as in "Tell Me Everything," but for the most part, Adam Cohen delivered his debut album before his talent had truly gestated.