David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her.
An unemployed doctor turned cab driver becomes a local hero when he converts his taxi into a mobile clinic.
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If you were going to someday be a racecar driver, you first have to get behind the wheel of the car you have now, and learn how all the instruments work, right? Then you could work your way up in driving skill, build yourself a better car, and someday have a Formula One machine on your hands. Well that’s what your character growth is like. You have to learn its “working parts” to be able to do anything further with your life. When you get at that, it is your character which precisely moves you forward into a solid mission for yourself in life.
Danny Driver proves a peerless guide to this fascinating music, performing with elegance and vigour. Hyperion presents a second volume of CPE Bach’s startlingly original and inventive keyboard sonatas. This release spans the composer’s career, taking the listener from the highly expressive manner of his early works to his mastery of the Classical style—in which he still retains the distinctive characteristics, the fantastical changes of mood and tempo which both astounded and perplexed his contemporaries.