Dvorak Requiem

Philippe Herreweghe - Antonin Dvorak: Requiem (2015)  Music

Posted by peotuvave at May 5, 2016
Philippe Herreweghe - Antonin Dvorak: Requiem (2015)

Philippe Herreweghe - Antonin Dvorak: Requiem (2015)
EAC Rip | Flac (Image + cue + log) | 361 MB | MP3 320Kbps CBR | 221 MB | 2 CDs | Full Scans
Genre: Classical | Label: Phi | Catalog Number: 16

The Collegium Vocale Gent, the Royal Flemish Philharmonic and Philippe Herreweghe join forces once again for a monument of the sacred choral repertoire: Antonín Dvorák’s Requiem, Op. 89. This work, dating from 1890, is one of those that marked a new phase
Dvorak - Requiem Op. 89 (Hajossyova, Sokupova, Kundlak, Mikulas; Slovak Philharmonic Choir & Orchestra) (1995)

Dvorák - Requiem Op. 89 (Hajossyova, Sokupova, Kundlak, Mikulas; Slovak Philharmonic Choir & Orchestra) (1995)
Classical | Eac. Flac, Img+Cue, Log | Covers | 406 MB
Label: Prestige Classics | TT: 102 min

The later 19th century brought an increasing consciousness of national identity to various ethnic groups in Europe and elsewhere in the world. Antonín Dvořák, born in a Bohemian village where his father was an innkeeper and butcher, followed Smetana as the leading exponent of Czech musical nationalism, firmly within the Classical traditions of Central Europe. His early musical training was followed by employment for some years as a viola player, for a time under Smetana, and then, with the positive encouragement of Brahms, by a life primarily devoted to composition. Dvořák won recognition abroad and rather more grudging acceptance in Vienna. Between 1892 and 1895 he spent some time in the United States of America as director of the new National Conservatory, a period that brought compositions which combine American and Bohemian influence. At home again he was much honoured, resisting invitations from Brahms to move to Vienna in favour of a simple life in his own country. He died in 1904, shortly after the first performances of his last opera, Armida.
Roger Norrington, SWR, NDR, Soloists - Johannes Brahms: Ein deutsches Requiem (2015)

Johannes Brahms - Ein deutsches Requiem (2015)
Christina Landshamer, soprano; Florian Boesch bass; Roger Norrington, conductor
NDR Chor, SWR Vokalensemble Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR

EAC | FLAC | Image (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hänssler Classic | # CD 93.327 | Time: 01:04:24

Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
LSO & István Kertész - Dvorak: Complete Symphonies, Tone Poems, Overtures, Requiem [Collectors Edition] (2015)

LSO & István Kertész - Dvorak: Complete Symphonies, Tone Poems, Overtures, Requiem (2015)
Classical | MP3 CBR 320 kbps | 10:59:28 | 1.47 GB
Label: Decca

it s a tribute to the memory of this tragically short-lived conductor that this cycle continues to set the standard by which others are judged –Gramophone Good CD Guide

8Diо Productions Requiem Professional v.1.1 KONTAKT  Software

Posted by Artist14 at Nov. 7, 2013
8Diо Productions Requiem Professional v.1.1 KONTAKT

8Diо Productions Requiem Professional v.1.1 KONTAKT | 12.8 GB

REQUIEM PROFESSIONAL is the next-generation virtual choir developed for professional composers featuring 3 microphone positions (5.1 compatible), full ensemble, divisi male/female and 5 solo singers. The solo singers have four microphone positions, including a new Close Microphone.The library is based on a variety of new recording- and sampling techniques some which have never before been deployed in choral sample libraries. The library can literally sound like a real choir and includes both full choir (SATB), divisi groups (males/females) and solo singers – all recorded in 24 bit / 44.1khz with 3 (5.1) microphone positions. The library contains true (polyphonic) legato intervals from piano to forte, sustains from piano to forte, staccato with repetitions, ultra forte marcato, BPM (host-synced) based latin chants recorded at different speeds across entire interval of choir, +1000 choral effects including whispers, shouts, clusters, demonic chants, sweeps, consonants without tone, claps, snaps and over +50 different types of effects.

Dvorak: Stabat Mater - Sinopoli  

Posted by dakszhund at Sept. 15, 2009
Dvorak: Stabat Mater - Sinopoli

Dvorak: Stabat Mater - Sinopoli
Classical | 2 CDs | WMA 615 kbps| BOOKS COVERs | 408 MB
Deutche Gramphon 471033-2 | Release Date: 2003

Like Mozart writing his Requiem, this live recording of Dvorak's Stabat Mater has taken on great significance being released in the weeks following the death at 55 of the conductor Giuseppe Sinopoli in May 2001.

Choir of King's College - Durufle: Requiem (2016)  Music

Posted by Pisulik at Dec. 5, 2016
Choir of King's College - Durufle: Requiem (2016)

Choir of King's College - Durufle: Requiem (2016)
Classical | MP3 CBR 320 kbps | Digital Booklet | 01:06:12 | 158 MB
Label: King's College Recordings | Release Year: 2016

King Colleges previous Requiem recording, that of Faures Requiem, was the best selling classical album of 2014, and was praised by Choir & Organ Magazine, Gramophone, The Times, and International Record Review. This new recording features another great French Requiem- Maurice Durufles 1947 work, in the composers original version. The release also includes Durufles Four Motets and his Messe Cum Jubilo. This recording is the last time the famous organ at Kings was played before it was removed for extensive restoration. The current form of the instrument dates from the early 20th century, but parts of the instrument date back to the early 1600s.
Choeur de Chambre de Namur & Leonardo Garcia Alarcon - Mario Capuana & Bonaventura Rubino: Requiem (2015) [TR24][OF]

Choeur de Chambre de Namur & Leonardo Garcia Alarcon - Mario Capuana & Bonaventura Rubino: Requiem
Classical | FLAC (tracks) 24-bit/88.2 kHz | 62:57 min | 995 MB | Front Cover
Label: Ricercar (RIC 353) | Tracks: 16 | Rls.date: 2015

Dated respectively 1650 and 1653, the Requiem Masses by Capuana and Rubino are apparently the only two settings of the Requiem to have been composed in Sicily during the Baroque period. Capuanas work is imbued with the intense emotion of the madrigal school whilst the second is a true apotheosis of Renaissance polyphony.

Rafaella Consentino by Lukas Dvorak for PSM Magazine  Girls

Posted by nrg at Nov. 29, 2016
Rafaella Consentino by Lukas Dvorak for PSM Magazine

Rafaella Consentino - Lukáš Dvořák Photoshoot 2016
6 jpg | 1000*1333 | 4.8 MB
London based model
Itzhak Perlman, LPO, Daniel Barenboim - Dvorak: Violin Concerto; Romance (2015) [TR24][OF]

Itzhak Perlman, LPO, Daniel Barenboim - Dvorak: Violin Concerto; Romance
Classical | FLAC (tracks) 24-bit/96 kHz | 45:10 min | 844 MB | Digital booklet
Label: Warner Classics | Tracks: 04 | Rls.date: 2016

Antonín Dvorák had about as much luck with the dedicatee of his violin concerto, the great Joseph Joachim, as Tchaikovsky had with his, the no less illustrious Leopold Auer. Although Joachim agreed to do a critical analysis of the first draft — resulting in a radical reworking of the piece – he did not give the premiere of the finished article, that privilege instead falling to the young Czech violinist František Ondrícek (1857–1922), in Prague on 14 October 1883.