Emi Classics 7243 5 67236 2

Frank Peter Zimmermann - Portrait (1997, EMI Classical # 7243 5 72216 2 7) [RE-UP]

Frank Peter Zimmermann - Portrait
EAC+LOG+CUE | FLAC: 320 MB | Artwork: 75 MB | 5% Recovery Info
Label/Cat#: EMI Classical # 7243 5 72216 2 7 | Country/Year: Germany 1997
Genre: Classical | Style: Romantic, Early 20th Century, Violin

Frank Peter Zimmermann (* 27. Februar 1965 in Duisburg) ist ein deutscher Violinist. Regelmäßige Kammermusikpartner sind die Pianisten Enrico Pace und Christian Zacharias, sowie der Cellist Heinrich Schiff. Seine Aufnahme des Doppelkonzertes von Brahms mit Heinrich Schiff erhielt den Deutschen Schallplattenpreis…
Watershed - Indigo Girl (EMI Electrola 7243 5 50695 2 8) (EU 2002)

Watershed - Indigo Girl
FLAC | EAC, LOG & CUE | Disc Only Scan (400dpi .png) | Size: 78 MB | HF + FS
Cat#: EMI Electrola 7243 5 50695 2 8 | Country/Year: Europe 2002

Watershed is a South African Rock band, which was 1998 founed in Johannesburg. Most famous for their signature tune 'Indigo Girl' in 2002, Watershed became a 'natural' success when a German radio DJ heard the single whilst vacationing in South Africa and played it on the air in Germany.
Duncan Browne - Duncan Browne (1973) [2002, EMI 7243 5 35623 2 8]

Duncan Browne - Duncan Browne (1973)
EAC | Flac(Image) + Cue + Log > 321 Mb | Mp3 CBR 320Kpbs > 142 Mb
Classic/Folk Rock, Baroque Pop | TT - 58:24 | Label: EMI | Cat. # 7243 5 35623 2 8 | EU
Scans (Jpg) Included | NitroFlare, FileFactory

Duncan Browne's self-titled second album plays like a direct sequel to his debut long-player, Give Me Take You; he uses the same acoustic guitar and writes in a similar idiom, especially on tracks like "Country Song" and "The Martlet." Indeed, apart from the fact that it's generally better recorded, most of Duncan Browne could easily have slotted into the earlier album; the only exceptions are the more elaborately produced songs, such as "Ragged Rain Life," with its electric guitar sound, the keyboard-embellished "Babe Rainbow," and the bluesier, Dylan-esque "Journey," which was a substantial hit in England…

Falco - Egoist (1998, EMI Electrola # 7243 8 85985 2 1)  Music

Posted by luckburz at Oct. 11, 2016
Falco - Egoist (1998, EMI Electrola # 7243 8 85985 2 1)

Falco - Egoist
EAC+LOG+CUE | FLAC: 67 MB | Full Artwork: 14 MB | 5% Recovery Info
Label/Cat#: EMI Electrola # 7243 8 85985 2 1 | Country/Year: Germany 1998
Genre: Electronica, Rock, Pop | Style: Pop Rock, Synth-pop

"…Egoist and also The Spirit Never Dies (Jeanny Final) became his last notable hits in Germany and Switzerland."
Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs
EAC | FLAC | Tracks (Cue&Log) ~ 600 Mb (incl 5%) | Mp3 (CBR320) ~ 350 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 7243 5 86534 2 7 | Time: 02:04:56

In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
Julian Bream - J.S. Bach: Prelude, Fugue and Allegro BWV 998; Suite BWV 996; Chaconne from Parita No.2; Partita No.3 (1994)

Julian Bream - J.S. Bach: Prelude, Fugue and Allegro BWV 998; Suite BWV 996; Chaconne from Parita No.2; Partita No.3 (1994)
EAC | FLAC | Image (Cue&Log) ~ 317 Mb (incl 5%) | Mp3 (CBR320) ~ 193 Mb (incl 5%) | Scans included
Genre: Classic, Guitar | Label: EMI Classics | # 7243 5 55123 2 1 | Time: 01:09:56

Julian Bream is, without a doubt, one of the premiere classical guitarists of the modern recording era. Comparisons between great guitarists is often unfair and misleading as they each have their own styles - and each musician and his/her style tends to be particularly well suited to certain types of music. For example, Andres Segovia's style, cultivated by self-teaching throughout his now ended life, concentrated on flowing legatto smoothness and flowing melodies. Bream's, on the other hand, while equally masterful, is better characterized as emphasizing the precision and crispness of each and every individual note. What better composer to focus on to show this particular proclivity that J. S. Bach, whose work, having been written largely for the keyboards (harpsichord) but also for the lute and triple harp, tends to emphasize the kinds of music Bream excels at. Stacatto phrasings, each written to be played with crystalline exactness, are the types of pieces wherein Bream's magnificence is conspicuous and best showcased. Thus, the special relevance of this particular compilation of some of his best Bach work on this CD.
Julie London - Lonely Girl & Make Love To Me (2002, EMI # 7243 5 41668 2 2)

Julie London - Lonely Girl & Make Love To Me
EAC+LOG+CUE | FLAC: 139 MB | Artwork | 5% Recovery Info
Label/Cat#: EMI # 7243 5 41668 2 2 | Country/Year: UK 2002
Genre: Jazz | Style: Vocal

"Liberty Records was pleasantly surprised when Julie London's debut album was such a big hit. Julie Is Her Name did contain the hit single "Cry Me a River," but each featured mellow jazz guitar and bass backing – which was considered commercial suicide in 1955. So, instead of changing direction and recording the follow-up Lonely Girl with a full orchestra, Liberty wisely allowed London to strip the accompaniment down even more on the album by dropping the backing down to one instrument. Lone guitarist Al Viola plays gentle Spanish-tinged acoustic behind the hushed vocalist, and it suits London perfectly…"
Mozart - Christian Zacharias, David Zinman - Piano Concertos Nos. 20 & 21 ('89/'91, remaster 2001, EMI # 7243 5 74676 2 9)

Wolfgang Amadeus Mozart - Piano Concertos Nos. 20 & 21
Christian Zacharias, piano / Sinfonie-Orchester des Bayrischen Rundfunks / David Zinman
EAC+LOG+CUE | FLAC: 213 MB | Full Artwork: 60 MB | 5% Recovery Info
Label/Cat#: EMI # 7243 5 74676 2 9 | Country/Year: Germany 2001, 1989/1992
Genre: Classical | Style: Viennese School

…Zacharias began recording for EMI the following year, and would, by 1997, make over 40 albums for the label, covering a broad range of repertory, including Mozart (complete concertos and sonatas), Beethoven (complete concertos), Scarlatti, Schubert, Schumann, and many others. Despite great success throughout the 1980s and early '90s in his keyboard career, Zacharias decided to take up conducting in 1992. His debut was in Geneva with the Orchestre de la Suisse Romande…
Eloy - Metromania (1984) [2005, EMI 7243 5 63779 2 9]

Eloy - Metromania (1984)
EAC | Flac(Image) + Cue + Log & M4A(Tracks) & MP3 CBR 320Kbps
2005 | EMI 7243 5 63779 2 9 | ~ 321 or 324 or 105 Mb | Scans Included
Progressive Rock | Remastered

If Performance was the nadir of Eloy's artistic creativity, then Metromania represents the seeds of a resurrection with a shift to a harder rocking style blending elements of Black Sabbath, Deep Purple and Hawkwind with Eloy's symphonic Prog tendencies and sophisticated Stadium-AOR…

Eloy - Inside (1973) [2000, EMI 7243 5 22681 2 2]  

Posted by v3122 at March 4, 2014
Eloy - Inside (1973) [2000, EMI 7243 5 22681 2 2]

Eloy - Inside (1973)
EAC | Flac(Image) + Cue + Log & M4A(Tracks) & MP3 CBR 320Kbps
2000 | EMI, 7243 5 22681 2 2 | ~ 317 or 319 or 125 Mb | Scans(jpg, 300dpi) Included
Progressive Rock | Remastered

Eloy´s second album is such a departure from their first that it´s hard to believe it was released by the same band in such a short time. Well, not really the same band, since Frank Bonnemann was now in charge, and he was the new singer too. Manfred Wieczorke also moved form guitar to organ, and - wow! - does he play that Hammond Organ! The man does a great job in the whole album, his textures are incredible and some of them are really stunning…