Occult rock has seen someone what of a resurgence these past few years. With heavy hitters like the ever-mysterious Ghost, right down to the marvellous Christian Mistress, this spectre of haunting blues rock blended with magickal lyrics has made for an interesting breath of fresh air into a genre that was started way back in the 60′s by the likes of Black Sabbath and The Crazy World of Arthur Brown…
Sam Rivers RIP. INSPIRATION was nominated for the 2000 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. Prior to Inspiration, Sam Rivers hadn't recorded for a major label in nearly 20 years, and he hadn't cut a studio session in two decades. That doesn't mean he was inactive; he was teaching, playing, and giving concerts but never recording. Aware that many of Rivers' big-band compositions – not only his recent material, but some earlier works as well – had never been given the proper treatment, saxophonist Steve Coleman helped arrange a recording contract with BMG, with the end result being the astonishing Inspiration album.
The violin concertos of Belgian-born composer/virtuoso Henri Vieuxtemps have been recorded by various players, including the young Russian-American virtuoso Misha Keylin heard here. But these shorter pieces, which would have been the stock-in-trade of Vieuxtemps' active touring life (during one American tour he made 121 appearances in six months, without benefit of planes, automobiles, or in many cases trains), are a good deal rarer. They don't have the main virtue of the concertos, which is that there's a certain amount of structural interest to go with the Paganini-like fireworks, but they're a great deal of fun.
The popular Orchestra of the Age of Enlightenment presents a fantastic and exuberantly played selection of Vivaldi. Named a ‘Choice' recording by Gramophone upon release, the OAE joyfully celebrate some of Vivaldi's finest instrumental writing. The soloists are drawn from within the distinguished ranks of the OAE including Anthony Robson (oboe), Andrew Clark (horn), Roger Montgomery (horn), David Watkin (cello), Lisa Beznosiuk (flute), Elizabeth Kenny (lute) and Catherine Mackintosh (viola). The concertos assembled on this disc afford the listener a glimpse of Vivaldi's originality, not only as a sensitive colourist and master of form, but also as a felicitous melodist whose harmonies and phraseology are charged with heady atmosphere. The dancing rhythms and distinctive characters of these concerti together with the variety of instrumental combinations and sparkling performances make this a fresh and constantly engaging listen.