The Original Album Collection is a series which brings together a collection of albums from an artists catalogue, all together in one convenient and compact pack. Each album is packaged in the original artwork in a cardboard slipcase. This very interesting in that to my knowledge two of these albums, "Evangeline" and "Thirteen" have never been released on CD before. Probably because they were not among Emmylou's best sellers, Warner Bros. passed them over when they were churning out dismal versions of catalogue material. Lucky for us, in order to release this package Rhino had to master this pair of gems for the first time, and apparently decided to do it properly. The other three titles in this packaged have been released before and with the exception of "White Shoes" have even been re-mastered.
Emmylou Harris was a little-known singer and songwriter playing the folk circuit in Washington, D.C., when she was discovered by Gram Parsons, who invited her to sing on his solo albums and revealed to the world she had a voice of striking beauty and the talent to use it wisely. After Parsons' death, Harris embarked on a solo career that saw her creating a series of outstanding albums that combined the sound and style of classic country music with a progressive feel that made her one of the best respected artists of her generation. This specially priced box set includes Harris' first five albums for Reprise Records in full, featuring some of her most compelling studio recordings. Included in this set are 1975's Pieces of the Sky, 1975's Elite Hotel, 1977's Luxury Liner, 1978's Quarter Moon in a Ten Cent Town, and 1979's Blue Kentucky Girl.
Although it is no secret that Emmylou Harris is one of the modern era's most prolific guest vocalists, it's only when you see her appearances laid out one after the other that you realize just how many other performers have called upon her over the years – a gamut that runs from Linda Ronstadt to Little Feat, from Bob Dylan to Bonnie Raitt.
In 1995, Emmylou Harris made a decisive break with her creative past, recording the album Wrecking Ball with producer Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After Wrecking Ball, Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times.
Linda Ronstadt and Emmylou Harris have frequently collaborated over the course of their long careers. Their voices are made for each other in a yin-yang meeting of Ronstandt's rich velvet alto and Harris' songbird-sweet soprano. The Tucson Sessions takes their collaborations to new heights. A collection of covers and originals tracing various paths of love and loss, the performances seem to have breathed in the desert where they were recorded. Arrangements airy as the space between desert and sky are grounded by gritty guitars, splashed with color from folk instruments and filled with glorious harmonies.
12-time Grammy Award winner Emmylou Harris has, in the last decade, gained admiration as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Few in pop or country music have achieved such honesty or revealed such maturity in their writing. In this 2000 concert, Emmylou Harris combined tasteful choices from her early repertoire with newer work, often her own compositions, backed by the band she called Spyboy, which featured the hard-working guitarist and singer Buddy Miller.
This set combines five of Linda Ronstadt's albums for Asylum Records released between 1975 and 1980 and all produced by Peter Asher, 1975's Prisoner in Disguise, 1976's Hasten Down the Wind, 1977's Simple Dreams, 1978's Living in the U.S.A., and 1980's Mad Love, which means one gets Ronstadt's fine versions of Neil Young's "Love Is a Rose," Buddy Holly's "That'll Be the Day," Roy Orbison's "Blue Bayou," and many other covers done while she was at the peak of her radio success…
The third part of the collection of classic 70-x rock-rock albums, released as part of the Original Album Series. Albums Doldinger's Motherhood "Motherhood", Diez & Bischof "Daybreak" and Dennis "Hyperthalamus" for the first time on CD.
Chaka Khan (born Yvette Marie Stevens; March 23, 1953), frequently known as the "Queen of Funk", is a 10-time Grammy Award winning American singer-songwriter who gained fame in the 1970s as the frontwoman and focal point of the funk band Rufus. While still a member of the group in 1978, Khan embarked on a successful solo career. Her signature hits, both with Rufus and as a solo performer, include "Tell Me Something Good", "Sweet Thing" which she wrote for her then husband Richard Holland, "Ain't Nobody", "I'm Every Woman", "I Feel for You" and "Through the Fire".
The second five-album set chronicling Otis Redding's legendary work with Stax Records, this slipcase collection includes 1967's Live in Europe, 1968's Dock of the Bay and In Person at the Whisky A Go Go, 1969's Love Man, and 1970's Tell the Truth, each album presented separately and housed in card wallet style…