This two-disc anthology assembled by Mike Patton is, after the spaghetti Western soundtracks and themes, essential Morricone. Never has his music from the strange films he scored in the 1960s and '70s been showcased in such an original and powerful way. Patton has looked closely into the experimental nature of the maestro and found plenty here to offer as well as to crow about. Many of the scores he chose from would be known only to cineastes of minor and obscure Italian films. Yet, Patton understood that Morricone loved his own process and treated crime and exploitation flicks like L'Anticristo and Forza G with the same delightful sense of adventure that he approached The Godfather and The Mission with. Here, all manner of strangeness is on offer: from psychedelic guitars and tripped-out wordless vocals to sitars, layers and layers of percussion, acid-drenched strings, an Echoplexed celeste, toy pianos, psychotic operatic voices in chorus, and more.
‘Morricone 60’ is the first album of Ennio Morricone’s greatest hits conducted, recorded and curated by Morricone himself – and aims to create a legacy for his fans to enjoy. It sees the celebrated Maestro performing some of his greatest film music from The Good, the Bad and the Ugly to his recent Academy Award-winning score for Quentin Tarantino’s The Hateful Eight (released earlier this year on Decca). The album marks Ennio Morricone’s 60th anniversary as a composer and conductor and features brand new recordings with the Czech National Symphony Orchestra, with whom he’s collaborated on major international movie scores.
Ennio Morricone is one of the most inimitable composers in contemporary music- the trumpeter who broke with convention and mastered composition, the pop arranger who melded the wonders of non-instrumental sounds with airwave-ready song structure, the writer of concert hall symphonies, practitioner of the avant-garde, master of the melodic, and ultimately, the creator of some of the most innovative and memorable movie soundtracks of the 20th century. Given the sheer size and diversity of the man’s output, any Morricone fan is sure to have individual pieces that resonate more for them than others. But here they are: Ennio Morricone's 32 Greatest Musical Cues.
A dark, brooding, and surprisingly restrained work by Ennio Morricone, also more sentimental than his usual standard, and very operatic – parts of it sound like music for a Broadway extravaganza waiting to happen.
Original motion picture soundtrack, expanded edition, digitally remastered and restored in the film's chronological order from the original stereo session tapes. Contains 7 previously unreleased tracks, never released before also on the previous editions and approved by Ennio Morricone for this ultimate album.
Music Box Records is pleased to reissue the classic Ennio Morricone soundtrack for Le Professionnel, one of the Maestro’s best known scores and themes that attained fame all over the world. Supervised and mastered by Claudio Fuiano, the soundtrack has the same program as the limited edition GDM CD released in 2002 that had been going for unreasonable prices on the secondary market. For those who missed the previous GDM edition, Music Box Records makes this new remastered definitive edition available once again. The limited edition of 500 copies comes with an 8-page booklet with French and English commentary by Laurent Perret.
La-La Land Records presents the world premiere release of acclaimed composer Ennio Morricone s (ONCE UPON A TIME IN AMERICA, THE MISSION, THE UNTOUCHABLES) original score to Paramount Pictures 1989 docudrama FAT MAN AND LITTLE BOY, starring Paul Newman, Dwight Schultz and John Cusack, and directed by Roland Joffe. Never before released in any format, Mr. Morricone s hauntingly beautiful and complex orchestral score receives a definitive, 2-CD treatment that demonstrates the composer s notable skill in emotionally interpreting what is at once an amazing and tragic chapter in mankind s history the birth of the atom bomb. Full of dramatic suspense, passion, sadness and gravitas, this is a notable, major Hollywood work by Morricone that is ripe for discovery. Produced by Dan Goldwasser and mastered by Mike Matessino, this special 2-CD release includes source cues, alternates and exclusive, in-depth liner notes by film music writer Daniel Schweiger.
Criminally overshadowed by the moral uproar surrounding Adrian Lyne's film remake of Vladimir Nabokov's groundbreaking novel Lolita was Ennio Morricone's remarkable score, a hauntingly beautiful (and beautifully haunting) effort on par with Il Maestro's finest work. The music possesses a darkly dreamlike sensuality that perfectly communicates the erotic obsession at the material's core. Morricone's elegant melodies are daring yet subtle, shaded by melancholy strings and ethereal electronic textures. Milan's official soundtrack release is something of a misfire, however, interrupting Morricone's reverie with period pop hits like Ella Fitzgerald's "Tain't What You Do" and Louis Prima's "Civilization (Bongo, Bongo, Bongo)." Great music, without a doubt, but poorly matched to the intimacy of the instrumental score.