The Rhine turned crimson when the royal princess Ursula and her eleven thousand companions were slaughtered by the Huns. Many centuries later, Hildegard of Bingen composed a plainchant office in Ursula’s honour and sent a copy to the Abbey of Villers. The singers of Psallentes♀ sing from this famous manuscript (now housed in Dendermonde).
Hildegard von Bingen has the magical ability to reach out and speak to us across the centuries. An avant-garde visionary of her day, the depth and range of her music lends itself to modern re-imaginings. Sequentiae Hildegardenses was written over a period of 12 years in a special collaboration between the composer Hugh Collins Rice and the medieval ensemble Mediva. Collins Rice, who has often been drawn to the ideas and techniques of early music, was inspired by Mediva s medieval instruments and developed a musical language for Sequentiae Hildegardenses which remains authentic and expressive in a 21st-century context, whilst also illuminating the 12th-century music of Hildegard. His music references the serene world of Hildegard's own compositions, but also reflects the darker strands in her writings.
"I think there in the field of medieval music ensemble with a better level of interpretation and musicological rigor that Sequentia Ensemble. This vinyl is a convincing example. The pity is, that at least one of its members no longer living. In memory of Barbara Thornton. "
"First recording of english vocal ensemble led by Crhistopher Page. Their vocal sound is a conscious blend of "scrupulously accurate" tuning, sensitive phrasing, careful rhythmic articulation, and a bright and clear vocal production. "
Subtitled “Tales of Remarkable Women Throughout the Centuries “ this tribute to the fairer sex features an Irish lady pirate, a Portuguese queen, a Montenegrin mother, a French countess, a Jewish-American socialist, the Virgin Mary, and St. Ursula together with 11,000 other virgins are all featured on Faces of a Woman by Tapestry, the fourth release by these three talented women from New England. The ensemble covers broad musical territory ranging from Hildegard von Bingen’s mystical and contemplative songs to Rachmaninoff ’s pleasing "Tebye poyem" and to swinging rhythms, from medieval operatic drama to Balkan folklore and to modern music, from the artistry of the ars novato sailors’ songs and to the first American blues