Hot on the success of his #1 million-selling album "Prelude," Deodato recorded a second album, DEODATO 2, which exhibited all the characteristics of his previous effort - cool treatments of classical themes blending with power-driven jazz-rock tunes. But the care and precision that marked this follow-up album resulted in music that was in many ways more tight and exciting. Adding his own mark to Deodato's keyboard playing and arrangements on "Rhapsody In Blue," "Night In White Satin," and the wonderfully stimulating "Super Strut," was John Tropea's uniquely expressive guitar, also a major feature in the first album.
An interesting and beautiful album from Deodato, very different from his funkier work from the same period. It´s extremely short – only 24 minutes – but its a very engaging listen, even as it can make good 'background' music for chilling out with a good book (as I found out recently), which can't be said of his very lively funk interpretations of pieces like 'Also Sprach Zarathurstra'. It's dominated by lush orchestrations, most of the pieces being rather slow and often melancholic, with a few upbeat numbers ("A grande caçada", The Great Hunt, and "Bebê", written by Hermeto Pascoal). This might be one of his lesser-known albums but I think it is some of his best work.
It is another fine Deodato album but may not have the funk and rhythms of Prelude, Deodato2, First Cuckoo, and some of the others. However it is worth mentioning that this album is almost impossible to find but for those who really want it can get "Skyscrapers" because it is exactly the same record.
Inutil Paisagem is the debut album of Eumir Deodato.He was only 22 years old, but already had five years worth of experience as an orchestral conductor. The revealing original liner notes by Tom Jobim express with subtlety Jobim's amazement at such precocious mastery: "Eumir Deodato is not only the perfect bridge engineer which all arrangers should be, but also the creator and poet which all arrangers must be."
Love Island captures a moment in 1978 when Eumir Deodato was on top of the world. This was his maiden release under Warner Bros. since his departure with MCA, and top notch session players are at the fore once again with warm melodies riding on phat basslines, sumptuous synthesiser waves and the presence of the legendary George Benson soloing in the centre section in the title track.
Brazilian Maestro Eumir Deodato has done it again. This late 2010 album recreates his great style with his claim-to-fame electric piano, and this time accompanied one more time for John Tropea and Airto Moreira, and with special guests.