Flac (tracks) 24 Bit 96 Khz

Buddy DeFranco And Oscar Peterson - Play George Gershwin (2005) {Reissue, 24-bit/96 kHz Remastering}

Buddy DeFranco And Oscar Peterson - Play George Gershwin (2005) {Reissue, 24-bit/96 kHz Remastering}
EAC Rip | FLAC (Img) + Cue + Log ~ 128 Mb | MP3 CBR320 ~ 100 Mb
Scans (JPG, 600 dpi) ~ 165 Mb | RAR 5% Recovery
Jazz | Membran Music #222975-203 / OLP #10

Most musicians when asked to give a list of their favorite composers will usually have at the top, or near the top of the list George Gershwin. They feel that Gershwin wrote in such a fashion that it gives them the most room for improvisation. You will always find that when people are asked to do albums of various composers, invariably Gershwin is on the list. Buddy DeFranco has recorded many albums for me and for two years has been insisting that he be allowed to do a Gershwin album, and this is it…
Buddy DeFranco And The Oscar Peterson Quartet (2005) {Reissue, 24-bit/96 kHz Remastering}

Buddy DeFranco And The Oscar Peterson Quartet (2005) {Reissue, 24-bit/96 kHz Remastering}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 174 Mb | MP3 CBR320 ~ 145 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Jazz | Membran Music #222969-203 / OLP #4

The first six selections on this CD are from a long-out-of-print LP featuring the brilliant clarinetist Buddy DeFranco with the Oscar Peterson Quartet (Peterson's trio plus drummer Louie Bellson). While the six selections are all standards, DeFranco and Peterson produce plenty of fireworks with the majority of the numbers being taken up-tempo. DeFranco sounds flawless on clarinet, making it sound so easy to play lightning-fast runs; few other clarinetists have ever come close. Recommended.
Henry Red Allen - Quadromania (2005) [4CD Box Set, 24 bit\96 kHz High-End Mastering]

Henry Red Allen - Quadromania (2005)
4CD | EAC Rip | FLAC (Img) + Cue + Log ~ 0,98 Gb | MP3 CBR320 ~ 627 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Jazz | Membran Music #222401-444

This 4 CD set contains recording from the 1930's to 1950's. Feat. P.W. Russell, Eddie Condon, Fats Waller, Edmond Hall. Henry James "Red" Allen (January 7, 1906 – April 17, 1967) was a jazz trumpeter and vocalist whose style has been claimed to be the first to fully incorporate the innovations of Louis Armstrong…
The Spencer Davis Group - Gimme Some Lovin' (US Mono 1st pressing) LP rip in 24 Bit/ 96 Khz + Redbook, Request Repost

The Spencer Davis Group - Gimme Some Lovin'
United Artists UAL 3578
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Mono | 345, 104 Mo | 5% RAR Recovery | 1967
Styles: British blues, Blue-Eyed Soul | RapidShare Download
The Spencer Davis Group may be the most underrated group in the British Invasion. The band had a tight, swinging sound, a nice balance between guitars and keyboards, and a tasty selection of musical influences - not to mention rock's greatest white-soul singer (Stevie Winwood). Their albums featured some of the best British blues and R&B, along with pop-rock to rival what the Beatles were doing at the same time (this was pre-"Sgt. Pepper," after all). Perhaps one day the SDG will finally get their due. Amazon customer.
Enjoy!!!
The Doors - Waiting For the Sun (Original US Tan Label) 24-bit / 96 kHz Vinyl Rip *Repost/phase invert*

The Doors - Waiting For the Sun
Original US Elektra EKS-74024
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 685 + 194 Mo | 5% RAR Recovery | 1968
Styles: Rock | RapidShare Download

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky "The Unknown Soldier," with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven "Hello, I Love You," which nonetheless bore an uncomfortably close resemblance to the Kinks' "All Day and All of the Night." The flamenco guitar of "Spanish Caravan," the all-out weirdness of "Not to Touch the Earth" (which was a snippet of a legendary abandoned opus, "The Celebration of the Lizard"), and the menacing closer "Five to One" were also interesting. In fact, time's been fairly kind to the record, which is quite enjoyable and diverse, just not as powerful a full-length statement as the group's best albums. Allmusic.

Repost because the rip was not in phase (I invert cable of my tonearm when I change my TT.
Many thanks to Highender'ears who notice the problem.
This mean that some of the stereo rip I've made since one month are affected (List below).
I will fix this and repost all concerned.
John Coltrane - Olé Coltrane [Atlantic 1373] 24-bit / 96 kHz Vinyl Rip + Redbook - Repost

John Coltrane - Olé Coltrane
Atlantic Records 1373

Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 831 + 252 Mo | 5% RAR Recovery | 1962
Styles: Jazz | RapidShare Download

The complicated rhythm patterns and diverse sonic textures on Olé are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick – over and beyond his appreciable musical skills – guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced – two days prior to this session – on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. All Music
Pink Floyd - Relics (1997 EMI Records re-issue) LP rip in 24 Bit/ 96 Khz

Pink Floyd - Relics
1997 EMI Records re-issue
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 947 Mo | 5% RAR Recovery | 1971
Styles: Psychedelic Rock | RapidShare Download

Since Relics is a compilation and not a regular studio album, it tends to be overlooked when thought of as one of Pink Floyd's better releases. It might not be regarded as a classic psychedelic masterpiece in the manner of The Piper at the Gates of Dawn, and it certainly won't ever achieve the multiple platinum status of Dark Side of the Moon, but it's a pretty good place to start with the band's early catalog. Originally issued in 1971, Relics culls from the band's first five singles (two A-sides and three B-sides, including the non-album pop classics "See Emily Play" and "Arnold Layne") and picks album material that capitalizes on the band's versatility while making it a thoroughly palatable listen. From Piper, you get the goofy childishness of "Bike" and the mesmerizing "Interstellar Overdrive," one of the band's trademark instrumental freak-outs; "The Nile Song," taken from the More soundtrack, is one of the heaviest songs the band recorded. A little bit of everything that made early Pink Floyd can be found here. Without a doubt, the disc is an essential part of the band's discography, not to be disregarded in lieu of its overlap with studio album material. Allmusic.
The Who - The Who Sell Out (Classic Records 140g Re-issue) LP rip in 24 Bit/ 96 Khz

The Who - The Who Sell Out
Classic Records 140g Re-issue
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 843 Mo | 5% RAR Recovery | 1967
Styles: Psychedelic Rock | RapidShare Download

Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn't quite driven to completion, breaking down around the middle of side two (on the original vinyl configuration). Nonetheless, on strictly musical merits, it's a terrific set of songs that ultimately stands as one of the group's greatest achievements. "I Can See for Miles" (a Top Ten hit) is the Who at their most thunderous; tinges of psychedelia add a rush to "Armenia City in the Sky" and "Relax"; "I Can't Reach You" finds Townshend beginning to stretch himself into quasi-spiritual territory; and "Tattoo" and the acoustic "Sunrise" show introspective, vulnerable sides to the singer/songwriter that had previously been hidden. "Rael" was another mini-opera, with musical motifs that reappeared in Tommy. The album is as perfect a balance between melodic mod pop and powerful instrumentation as the Who (or any other group) would achieve; psychedelic pop was never as jubilant, not to say funny (the fake commercials and jingles interspersed between the songs are a hoot)– Allmusic
The Rolling Stones - Aftermath (2003 ABKCO Records DSD Stereo) LP rip in 24 Bit/ 96 Khz

The Rolling Stones - Aftermath
2003 ABKCO Records DSD
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 1,15 Go | 5% RAR Recovery | 1966
Styles: Rock | RapidShare Download

Aftermath, first released on 15 April 1966, by Decca Records and ABKCO Records as the fourth British studio album by The Rolling Stones. It would be released on 20 June 1966, by London Records and ABKCO in the United States as their sixth American album. The album proved to be a major artistic breakthrough for The Rolling Stones, being the first full-length release by the band to consist exclusively of Mick Jagger/Keith Richards compositions. Aftermath was also the first Rolling Stones album to be recorded entirely in the United States, at the legendary RCA Studios in Hollywood, California at 6363 Sunset Boulevard, and the first album the band released in stereo.
The Rolling Stones - Let It Bleed (2003 ABKCO Records DSD Stereo) LP rip in 24 Bit/ 96 Khz

The Rolling Stones - Let It Bleed
2003 ABKCO Records DSD
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 896 Mb | 5% RAR Recovery | 1969
Styles: Rock | RapidShare Download


This Record Should Be Play Loud!!!