This is the most beautiful of Mozart playing, his last piano concerto given here by Emil Gilels with total clarity. This is a classic performance, memorably accompanied by the VPO and Böhm. Suffice it to say that Gilels sees everything and exaggerates nothing, that the performance has an Olympian authority and serenity, and that the Larghetto is one of the glories of the gramophone. He's joined by his daughter Elena in the Double Piano Concerto in E flat, and their physical relationship is mirrored in the quality, and the mutual understanding of the playing: both works receive marvellous interpretations. We think Emil plays first, Elena second, but could be quite wrong. The VPO under Karl Böhm is at its best; and so is the quality of recording, with a good stereo separation of the two solo parts, highly desirable in this work.
Celtic Fantasy was born of the meeting between two Breton friends and two Irish brothers around their common passion: the Celtic heritage. On their first album, released on March 30th 2015, Celtic Fantasy reinterprets traditional Irish songs and popular Frenchhits.
Huang Yali is a Chinese pop singer who earned sixth place in the 2006 Super Girl contest.
After two albums that downplayed their penchant for gothic sounds and mystical lyrics, Uriah Heep brought these elements back to the fore on 1975's Return to Fantasy. The resulting album retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums…
"William Aura creates some of the dreamiest relaxation music this side of heaven". Since the late 70's he has been internationally recognized for his soothing New Age music. He resides in Ojai, CA and is a leader in his research of sound environments for healing and transformation. For William, music is the path to inner balance.
A strange man, John Fahey, with an unusual set of guitar styles. This album, originally released on Riverboat Records and later reissued by Fahey's own Takoma label, has a lot of rough edges in terms of the recording but a tremendous amount of power when it comes to the music. Fahey was at the top of his game, alternately playful and dark, so there's never a dull moment. There is always something new to be heard on each playing.
The most distinctive thing about Double Fantasy, the last album John Lennon released during his lifetime, is the very thing that keeps it from being a graceful return to form from the singer/songwriter, returning to active duty after five years of self-imposed exile…
Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”
The Blackbyrds were a jazz-funk group with thick R&B streaks running down their backs. Assembled by Donald Byrd in 1974, the group's original members – percussionist Pericles "Perk" Jacobs, Jr., drummer Keith Killgo, keyboardist Kevin Toney, reeds player Allan Barnes, bassist Joe Hall, guitarist Barney Perry – were mined from Howard University's music department, where the doctor and jazz legend was an instructor. (Other key players included guitarist Orville Saunders and saxophonist/flautist Steve Johnson.)
The one unreleased item among Apple/EMI's exhaustive 2010 John Lennon reissue campaign was Double Fantasy Stripped Down, a revision of the original 1980 album supervised by Yoko Ono and producer Jack Douglas. The intent of this new mix is to give the recording a greater sense of intimacy, but Double Fantasy isn’t Let It Be: it doesn’t have a heavily bootlegged original early incarnation, it only exists in its final form; it’s not an album that was designed as a raw back-to-basics record, it was constructed as a slick studio affair…