Hip Young Guitar Slinger and "His Heavy Friends" focuses on Jimmy Page's work as a session guitarist for the Immediate and Pye labels in the '60s. The first disc includes the poppier end of his work behind Gregory Phillips, the Kinks and Nico, while the second disc finds him in more familiar territory backing English blues masters like Eric Clapton, John Mayall and Jeff Beck…
Sounds Of Space, the title of Cuban pianist and composer Alfredo Rodriguez’ debut recording, evokes images of science fiction. In truth, it’s about a far more personal adventure. “It’s about the space that surrounds us,” he explains. “In this record I wanted to introduce myself: here are the people, the places and the sounds that have surrounded me, and made me who I am.” A key player in Rodriguez’ extraordinary story is producer Quincy Jones, who co-produced Sounds Of Space with Rodriguez.
Though it was recorded live at New York's jazz emporium, Iridium, Detroit born saxophonist Kenny Garrett makes a return home of sorts with Sketches of MD, his debut on the Motor City's own Mack Avenue Records. His quartet here, with bassist Nat Reeves, pianist/organist Benito Gonzalez, and drummer Jamire Williams, may not possess the star power of some of his studio albums, but this band is more than up for the gig. In addition, saxophonist Pharoah Sanders reprises his role from Beyond the Wall from 2006 as Garrett's foil, creating sparks aplenty.
When jazz aficionados think of Joey DeFrancesco – and they often do – they ponder his matchless talents as a modern-day avatar of the Hammond B3 organ and the Philadelphia history he shares with his principle instrument. Organ-based blues and jazz started in Philly and DeFrancesco is the first to tell you so.
2011 album from the Jazz guitarist, a release that its creator cites as his most realized project to date. Friends finds Jordan in challenging company: fellow strummers Charlie Hunter, Russell Malone, Bucky Pizzarelli and Mike Stern; saxmen (and label mate) Kenny Garrett and Ronnie Laws; N'awlins trumpeter Nicholas Payton and the renowned violinist Regina Carter. Another label mate, Christian McBride, guests on bass when not handled by Stanley's long-time trio bassist Charnett Moffett. Kenwood Dennard of his trio holds down the drum chair. Truly, a collection of Friends whose benefit push Stanley into a heightened musical reality.
R.I.P. Arthur. In Memoriam. Given the urban title of alto saxophonist Arthur Blythe's debut Columbia album, it's quite a shock when he and his red-hot band of collaborators that include James Blood Ulmer on guitar, Bob Stewart on tuba, flutist James Newton, bassist Cecil McBee, and Jack DeJohnette open with the decidedly funky Latin breaks on "Down San Diego Way." It's not a vamp and it's not a misleading intro, the first of four tracks showcases not only the deep versatility of the rhythm section, but Blythe's own gift as both a composer and as a soloist. He states the melody, handing off the harmonics to Ulmer and Newton and then flies high into the face of its chosen changes, allowing the beat to change under him several times before bringing back a theme and letting Ulmer solo.
The music of JADE WARRIOR is somewhat difficult to describe. Among the influences you'll hear in various aspects of JADE WARRIOR's music are rock, jazz, Latin, Japanese, African, ambient, and the kitchen sink (almost literally - there are spoons and an empty whiskey bottle in there somewhere!). It's often melodically simple, and rhythmically complex… or vice versa…
Prodigious pianist Harold López-Nussa has come full circle. With numerous acclaimed recordings, and acknowledged as a seasoned performer on international stages, he returns home and records El Viaje in Havana, Cuba, offering musical insights on the world through his piano. Continuing with his established trio format, which includes his brother Ruy Adrián López-Nussa on drums and Senegalese bassist Alune Wade, he improvises upon vast classical influences while adhering to his Cuban roots, concocting an exceptional style of global jazz.