Hip Young Guitar Slinger and "His Heavy Friends" focuses on Jimmy Page's work as a session guitarist for the Immediate and Pye labels in the '60s. The first disc includes the poppier end of his work behind Gregory Phillips, the Kinks and Nico, while the second disc finds him in more familiar territory backing English blues masters like Eric Clapton, John Mayall and Jeff Beck…
The music of JADE WARRIOR is somewhat difficult to describe. Among the influences you'll hear in various aspects of JADE WARRIOR's music are rock, jazz, Latin, Japanese, African, ambient, and the kitchen sink (almost literally - there are spoons and an empty whiskey bottle in there somewhere!). It's often melodically simple, and rhythmically complex… or vice versa…
Finnish alternative rockers Sunrise Avenue favor a brand of melodic, semi-hard rock with apparent influences ranging from Pearl Jam to Bon Jovi. The band was formed in Espoo, Finland in 1992 by lead singer, songwriter, and guitarist Samu Haber; after several years of shifting personnel, including a few years spent in Spain, Haber established a consistent lineup featuring keyboardist Jukka Backlund, bassist Raul Ruutu, and drummer Sami Osala.
On his latest Woodward Avenue set One Way Back, two time Grammy winning guitarist Paul Brown keeps the deep funk and cool urban vibe flowing while tapping deeper than ever before into his lifelong blues influences. While extending his long history of collaborations with the genre's top saxophonists with "Sexy Thang" featuring Darren Rahn, the collection's musical core is a series of dynamic collaborations with top genre guitarists Chris Standring, Peter White, Marc Antoine and Chuck Loeb. Highlights include a the lead single, a bold and fiery re-imagining of The Crusaders' soul-jazz classic "Put It Where You Want It," and a powerhouse Memphis soul-influenced tune "Well Alright" featuring vocalist (and former Hi Records songwriter) Don Bryant.
On the strength of his membership in ensembles led by Christian McBride and Aaron Diehl and his own auspicious Mack Avenue debut in 2011, Warren Wolf appears on a path to stardom as arguably the most exciting bop vibraphonist since Bobby Hutcherson. For Wolfgang, his followup collection on Mack Avenue, Wolf said he wanted to showcase his writing skills and provide more melodies that people can remember. For precisely those reasons, Wolfgang suffers by comparison with his previous work.
Prominent jazz vibraphonists have always been relatively few and Warren Wolf has the potential to be one of the top players of his generation. Wolf is joined by bassist Christian McBride, pianist Peter Martin, and drummer Gregory Hutchinson, with guest appearances by trumpeter Jeremy Pelt and saxophonist Tim Green. Wolf is a master of lyricism and restraint with his spacious interpretation of Johnny Mandel's timeless ballad "Emily." He doubles on vibes and marimba in an intricate interpretation of Chick Corea's "Señor Mouse." Six of the songs are originals by the leader. The composer takes a back seat in the sensual "Natural Beauties," showcasing Martin and Green (the latter on soprano sax) first before adding his dazzling solo.
The reference to some exquisitely dressed man in the title of this release also conveys the stylistic bent of pianist Aaron Diehl's noteworthy debut on Mack Avenue. He is among a list of rising jazz pianists which include Gerald Clayton and Aaron Parks. The recording brings to life a project that was conceived in Indianapolis after Diehl, 26, earned first place in American Pianists Association's 2011 Cole Porter Fellowship.
Ammonia Avenue is the seventh studio album by the British progressive rock band The Alan Parsons Project, released on 7 February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the top 40. "Since The Last Goodbye" was a minor hit.