24 track anthology for one of the most phenomenally successful acts of the early to mid 1970s. Digitally remastered from original tapes and compiled in conjunction with the band. Highlights include, 'Fanfare For The Common Man', 'The Barbarian', 'Take A Pebble' and 'Lucky Man'.
No Rest for the Wicked is the fifth studio album by English heavy metal vocalist Ozzy Osbourne. It was released on 28 September 1988. The album was certified gold in December 1988 and has since gone double platinum. It peaked at number 13 on the Billboard 200. The first album to feature guitarist Zakk Wylde and the first to feature bassist Bob Daisley since Bark at the Moon…
Mona Bone Jakon only began Cat Stevens' comeback. Seven months later, he returned with Tea for the Tillerman, an album in the same chamber-group style, employing the same musicians and producer, but with a far more confident tone…
GDigitally remastered and expanded edition of this legendary 1967 collaboration from Rock 'N' Roll and R&B pioneer Larry Williams and Johnny Guitar Watson, who took his R&B roots into pimp-friendly Funk in the '70s. The album is a Northern Soul classic with three bonafide stompers in the title track, the legendary 'Too Late' and 'A Quitter Never Wins'. Also features the even rarer 45 'Nobody', which the duo recorded with US Psychedelic outfit Kaleidoscope. The package is expanded even more with six tracks from Watson's OKeh album the Fantastic Piano And Guitar of Johnny Watson - BAD! And two tracks from the OKeh album in a Fats Bag - the Johnny Guitar Watson Trio Plays Fats Waller.
This compilation has all of the music formerly on singer June Christy's two 1957 Capitol LPs, Fair and Warmer! and Gone for the Day, both of which have Pete Rugolo arrangements. The former set (which is actually programmed second) finds Christy joined by a 12-piece group of mostly West Coast all-stars. The backup players include trumpeter Don Fagerquist, trombonist Frank Rosolino, altoist Bud Shank, and Bob Cooper on tenor, but they are mostly restricted to short statements. Christy is in excellent form on such numbers as a definitive (but very brief) "I Want to Be Happy," "When Sunny Gets Blue," and "It's Always You." Three different groups are used on the Gone for the Day set, two of which have string sections, while the other uses five trombones.
Annie Lennox and David A. Stewart were commissioned to score the 1984 film adaptation of George Orwell's classic masterpiece. Most tracks are instrumentals, but this soundtrack yielded two UK singles for the duo: "Sexcrime (1984)" was quite popular on mid-80s dance floors and the ballad "Julia" is named for protagonist Winston's lover and the heroine of the story.
Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imagine artists like Guy Clark, Jimmie Dale Gilmore, or Steve Earle finding their voice without his guiding influence. This two-disc set features Van Zandt's first two albums, 1968's For the Sake of the Song and 1969's Our Mother the Mountain.