Move beyond power chords and pentatonics and open up your musical universe! Kiko Loureiro's roots in Brazilian, Latin, Fusion, Jazz, Metal and Classical music influence his masterful compositions and stlye.
The Blues & Beyond reveals Robben's advanced concepts for improvising and comping. Performing his well-known renditions of several blues classics,Robben demonstrates how he plays over chord changes. Robben also discusses phrasing and playing "outside" using pentatonic,diminished, and melodic minor scales. Check out the "Miles Groove," where Robben plays a great solo combining blues, bebop, and modern "out" lines. And to help you capture Robben's unique style, most of the solos, chords,and playing demonstrations have been transcribed in the music and tab book included.
For Immediate Release – Jeff Lorber Fusion, whose previous release Hacienda was praised for its “impeccable musicianship and deep grooves” by JazzTimes and its “funky, rollicking jams” by All About Jazz, returns on September 25, 2015, with Step It Up on Heads Up, a division of Concord Music Group. The fourth consecutive collaboration between GRAMMY®-nominated keyboardist/composer/producer Jeff Lorber and GRAMMY®-winning bassist/composer/ producer Jimmy Haslip since the two virtuosos reactivated Jeff Lorber Fusion five years ago, Step It Up features 11 new Lorber compositions, several co-written with Haslip. The longtime colleagues also co-produced the recording.
Move beyond power chords and pentatonics and open up your musical universe! Kiko Loureiro's roots in Brazilian, Latin, Fusion, Jazz, Metal and Classical music influence his masterful compositions and stlye. In this program, Kiko shows you a method for using arpeggios to craft amazing leads and melodies. He starts with major and minor arpeggios and triad voicings and builds them into progressions. Then expands on this concept with major arpeggio extensions adding the 7th and 9th and shows how to complete the mission by delivering full dominant and diminished arpeggios in single and cross string technique.
Over the years many people have asked, "Will the real Robben Ford please stand up?" Those are the people who wonder if the singer/guitarist is really a blues-rock vocalist or a jazz fusion instrumentalist at heart. But truth be told, Ford is many different things. He is genuinely eclectic, which is why one never really knows from one album to the next what direction he will take. Blue Moon, Ford's first album for Concord Jazz, is primarily a vocal date. Ford gets in his share of inspired guitar solos, and he provides one instrumental: the gutsy "Indianola." But most of the time he sings. And as a vocalist, he favors an exciting blend of blues, rock, and soul on tracks like "Something for the Pain," "Don't Deny Your Love," and "The Way You Treated Me (You're Gonna Be Sorry)." Meanwhile, "It Don't Make Sense (You Can't Make Peace)" and the moody "Make Me Your Only One" are among the CD's more jazz-tinged vocal offerings.
On his second album for the Concord Jazz label, guitarist Robben Ford stays pretty much to the formula of Blue Moon from 2001. He concentrates on playing, singing, and covering great songs (and even writes a few) with interesting arrangements, inspired solos, and crisp, clean production that lets the song shine through the players. Much has been made of Ford's eclecticism and that is reflected in his choice of material here, though he never strays from the blues or R&B into jazz or fusion. Ford's selection of session players reflects his divergent interests as well: Edgar Winter appears on saxophone, while John Mayall and Ivan Neville guest along with horn bosses Bob Malach and Dan Fornero and Ford's road band. Opening the set with the title track, written by soul man Jackie Edwards, Ford lays out his formula immediately: a tight horn chart for tenor and baritone saxes, as well as trumpet; a crystal clear, expressive vocal delivery; and Ford's signature stinging guitar in the solo break lifts proceedings off on the up tip.