The Very Best … and Beyond is a greatest hits album by the band Foreigner released through Atlantic Records. The collection spans the band's history from 1977 through 1987, and includes three new tracks recorded in 1992. The compilation skips over the period in the late 1980s and early 1990s when vocalist Lou Gramm had left the band, omitting any songs from the 1991 album Unusual Heat.
Whether it was singing with Big Brother And The Holding Company or with her Full Tilt Boogie Band, Janis Joplin had one of the most identifiable, most emotional and most soulful voices ever recorded. Coming to San Francisco from Texas in 1966, Janis soon had the music world’s total attention, simply blowing the audience away at Monterey in 1967 while fronting Big Brother and gaining a record deal with Columbia Records in the process. After that, it was hit after hit with songs like her signature Piece Of My Heart, Cry Baby, and her Number One take of Kris Kristofferson’s present day standard Me And Bobby McGee, all included here. Through it all, Janis Joplin established herself as one of the very best and one of the most important singers and song interpreters ever to hit the music scene.
Most popular to theater audiences from his title role in Andrew Lloyd Webber's version of The Phantom of the Opera, Michael Crawford was in fact a star of the British stage and screen for almost two decades before that. Born in Wiltshire, England, in 1942, he began singing in the school choir and, while still a teenager, changed his name from Dumble-Smith to the more charismatic Crawford and began working in radio, television, and film. After first stepping on the London stage in the early '60s, Crawford's first regular television series was the BBC's 1960s show Not So Much a Programme, More a Way of Life…
Despite the fact that 2008’ Leucocyte, would be the Esbjörn Svensson Trio's final album due to the tragic scuba diving accident that killed Svensson, this was a band that had traversed such wide musical territory they deserved a retrospective treatment simply to sum up what had transpired between the release of 1993’s When Everyone Has Gone and that premature finale. While this 70-minute single disc doesn’t contain any unreleased material, or pre-1999 material (in favor of presenting the trio’s fully developed aesthetic), it is beautifully compiled.