Previously released on VHS and Beta and only available through mail order, Frank Zappa's Dub Room Special is an extremely rare TV special comprising two live performances from one of Rock's great individuals. Zappa's unparalleled abilities as a composer, guitarist, and absurdist/social commentator run rampant on The Dub Room Special – and it is a unique window on his willingness to push the envelope of what is possible no matter how improbable. Selections from two separate concerts, one, called A Token of His Extreme, shot in 1974 at Los Angeles public television station KCET and one in 1981 filmed at his annual New York Halloween show, are interspersed with then-cutting edge claymation/stop motion animation from Bruce Bickford and assorted comedy bits.
Directly from the Vault and for a limited time, your actual 'recorded tape' souvenir from UMRK. First come, first served. Originally produced for Vinyl by Frank Zappa. Liner notes by John Frusciante. Close your eyes and imagine how listening to an album used to be. The first reported copies were sold during the ZPZ shows around August 3rd 2007. There are no sound effects on the CD (as opposed to the video/DVD). All tracks are previously unreleased on CD and with the exception of the Token Vamp which appeared for the first time in The Dub Room Special. "The basic tracks from Inca Roads & Florentine Pogen were recorded live at KCET during the production of our TV special", writes FZ on One Size Fits All (1975). This equally thoroughly rejected television program is know as A Token Of His Extreme.
Derived from the Dub Room Special video, this CD was originally produced by FZ to be released on vinyl. The first reported copies were sold during the ZPZ shows around August 3rd 2007. A limited number are packaged with a small ‘Tape Worm’ (from the Vault?). Liner notes by Gail Zappa and Chili Peppers guitarist John Frusciante. There are no sound effects on the CD (as opposed to the video/DVD).
It is a more song-driven, and less conceptual work than many others in Zappa's oeuvre. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou". The sleeve art features the work of RanXerox artist Tanino Liberatore. It portrays Zappa on stage trying to kill mosquitos. The back cover shows the audience as seen from the stage. Chaos prevails, and the cover is meant to show the events at a disastrous concert in Palermo, Italy, July 14, 1982. At that concert, fans kept trying to rush the stage, and the local security force began firing tear-gas canisters into the crowd.
The Man from Utopia is a 1983 album by Frank Zappa. It is a more song-driven, and less conceptual work than many others in Zappa’s oeuvre. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of “The Man from Utopia Meets Mary Lou” - wikipedia
Official Release #104. All Master Recordings Produced By Frank Zappa. The Crux Of The Biscuit was created in conjunction with the 40th anniversary of Frank Zappa's 1974 album Apostrophe('). As part of the ongoing Project/Object Audio Documentary Series, it contains rare alternate mixes, live performances & studio session outtakes. This release celebrates the creation of a truly iconic record that reached the Top Ten in the Billboard Chart and earned FZ an RIAA Gold Record Award.
Official Release #64. A 30-track compilation of rarities, spanning much of his career, but in the main confined to the 1960s and early '70s (some date from as early as the late '50s!). Much of it's previously unreleased, or extremely hard to locate. It's not just a collection of fan-oriented odds and ends, though. The material, for one thing, is extremely diverse, ranging from collaborations with Captain Beefheart and primitive teenage garage recordings to comic dialog to progressive instrumentals and orchestral pieces.
Official Release #60. First of all, it must be understood that Playground Psychotics is intended for fans only: fans of Frank Zappa, of course, but most of all fans of the Flo & Eddie era of the Mothers of Invention (1970-1971); fans of the man's comedy rock; fans of his obsession with "life on the road" and its chronicling; and, finally, fans of the movie 200 Motels. This two-CD set contains live material and dialogues among band members (recorded with or without their knowledge). The "anthropological field recordings" (as Zappa liked to call them) get most of the attention. Each disc begins with a collage of dressing room and hotel room tapes.