After ten years of playing in the streets, at weddings, and in restaurants, the Gipsy Kings were swept away in a feast of commercial and critical success in the late '80s. By the late '90s, they had sold over 15 million albums worldwide and become one of the best-selling all-Spanish language acts in U.S. history. Their Greatest Hits collection, released in 1998, aptly reflects the time-perfected technique and soulful delivery that allowed them to transcend ethnic and age differences as few bands have. The introductory sequence of songs simply explodes out of the blocks. If consecutive hip-shakers "Djobi, Djoba," "Baila Me," "Bamboleo," "Pida Me La," "Bem, Bem, Maria," and "Volare" don't have you at least tapping your feet, someone ought to take your pulse…
When Biréli Lagrène's Routes to Django: Live was issued in 1980, the 13-year-old jazz guitarist was immediately praised by critics as a protégé of Django Reinhardt. He had already won a prize in a festival at Strasbourg in 1978, and his appearance at a Gypsy festival was broadcast on television.
BGKO is a stable band that regularly performs in Barcelona and all Europe. But more than that, it’s an ever growing family of professional musicians and singers that are often invited for guests appearances. As musicians and singers from Turkey, Slovenia, Switzerland, England, Russia, Serbia, India, France, Greece, Italy, Mexico, Spain, Iran and Israel gave their contribution to the never-ending story, the BGKO brought Klezmer, Gipsy and Balkan music to all generations of Barcelona. Nevertheless, the interaction became mutual and the city became a melting pot with so many different styles and cultures to embrace, so many ears to play for, and so many dancing feet to move.
“Del Ebro al Danubio” consists of 12 striking soundscapes that serve as a bridge between different cultures that BGKO was inspired by: Romanian, Russian and Serbian gypsy songs; purifying Hungarian, Transylvanian, Klezmer and Albanian dances; contemplative melodies of Lebanese Arabic-Catalan tradition, Jewish and Bosnian sevdah.
As leaders of the flamenco music genre, the Gipsy Kings have thrilled audience's worldwide for over 16 years. Here, they are captured in a live performance at the legendary Kenwood House in London. At this majestic setting on the water in front of thousands of fans, the Gipsy Kings play some of their greatest hits, including 'Baila Me' and 'Volare'.
As leaders of the flamenco music genre, the Gipsy Kings have thrilled audience's worldwide for over 16 years. Here, they are captured in a live performance at the legendary Kenwood House in London…
I've heard about Javier Vargas for a few years now, and my first real introduction to him was a live CD that I was able to obtain a couple months back. Since then I've been able to locate several other CD's that's he's recorded over the last few years. "Gipsy Boogie" is a different CD from the previous one's that I've obtained. While most of the others were solidly into Texas style blues overall, this CD strays in style to a more latin flavored blues. Think Texas blues mixed with Carlos Santana style latin sounds along with a strong dose of Spanish classical and flamenco music. This CD over the others that I've obtained shows Javier Vargas at his most diverse musical styles.
The Gipsy Kings had major crossover success with their splendid and innovative third album, which used drums, bass, percussion, and synthesizer to beef up the sound. This French import is their first album from 1983, and it is a much more traditional affair, with only acoustic guitars, voices, and hand claps. It shows that artistically the sound did not need to be beefed up; the music is still wonderful. How can an array of seven guitars and full-throated passion not be wonderful? Commercially, the additions to their sound helped break The Gipsy Kings through to a larger audience, but now that their name is known, it should be possible for more people to go back and appreciate this album. It is in no way crude or unpolished, and the artistry and playing are of an equally high quality.