Gluck Alceste

Gluck - Alceste (John Eliot Gardiner, Anne Sofie von Otter, Paul Groves)

Gluck - Alceste (John Eliot Gardiner, Anne Sofie von Otter, Paul Groves) [2000]
PAL 16:9 (720x576) VBR Auto Pan&Scan, Auto Letterboxed | Francais (LinearPCM, 2 ch) Francais (Dolby AC3, 5 ch) | 6.59 Gb (DVD9)
Classical | ArtHaus | Sub: English, Deutsch, Francais | 135 min | +3% Recovery

Rebelling against the increasingly formulaic operas of the time, Christoph Willibald Gluck's "reformist" opera Alceste (1767) was a successful attempt to return to a purer form of musical drama. It is highly appropriate that this 1999 production of the revised 1776 Paris version should be conducted by Sir John Eliot Gardiner, with the English Baroque Soloists and Monteverdi Choir, the same forces responsible for many fine Bach performances equally emphasizing character and text. In setting the tragic story of the profound love between Queen Alceste and her husband King Admète, Gluck provided a score of austere, rending beauty… By –Gary S. Dalkin
Gluck - Alceste (John Eliot Gardiner, Anne Sofie von Otter, Paul Groves) [2002]

Gluck - Alceste (John Eliot Gardiner, Anne Sofie von Otter, Paul Groves) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 608.49 MB
Classical | Label: Philips | Catalog Number: 470 293-2

Thus spake Shaw, writing about Gluck towards the end of the 19th century. Shaw went on to allege that the musical culture of his time had not fully caught up with this great master and reformer of opera, and the very thoughtful and instructive essay that Gardiner contributes here suggests to me that there may still, in the third millennium, be a little catching up to do. Whatever one thinks of Gluck, either as a composer or as a musical dramatist or as an operatic rationalist and reformer, it seems to me that he was very clear-headed in one basic respect - he knew the difference between musical drama and musical tableau. Classical drama has an inherent tendency towards tableau, with its statues, white-robed women, prophets, deities and heroes…
Gluck: Alceste - Bampton, Maison, Warren / Panizza 2CD (Homage to Rose Bampton)

Christoph Willibald Gluck: Alceste
Opera | 2 CD | EAC Rip | FLAC+CUE · MP3+CUE (VBR 256 Kb/s) | Booklet TIFF · JPG | 618 MB | 1941 · Released: 1997 | RS
CD1 61'18, CD2 75'52 ; Total Timing: 137'10'' | Historical Recording | Win Rar Compression
Chorus and Orchestra of the Metropolitan Opera, New York, Ettore Panizza
Gluck: Alceste - Bampton, Maison, Warren / Panizza 2CD (Homage to Rose Bampton)
Marc Minkowski, Les Musiciens du Louvre - Gluck: Armide [1999]

Gluck - Armide (Marc Minkowski, Les Musiciens du Louvre) [1999]
Classical | Archiv Produktion 459 616 2 | TT: 79.19+60.09 | EAC (flac, cue, log) | Covers | 593 Mb

‘Perhaps the best of all my works’, said Gluck of his Armide. But this, the fifth of his seven ‘reform operas’, has never quite captured the public interest as have Orfeo, Alceste, the two Iphigenies and even Paride ed Elena. Unlike those works it is based not on classical mythology but on Tasso’s crusade epic, Gerusalemme liberata. No doubt Gluck turned to this libretto, originally written by Quinault, to challenge Parisian taste by inviting comparison with the much-loved Lully setting. Its plot is thinnish, concerned only with the love of the pagan sorceress Armide, princess of Damascus, for the Christian knight and hero Renaud, and his enchantment and finally his disenchantment and his abandonment of her; the secondary characters have no real life. Its style, largely determined by the structure of the libretto, is closer to the French tragedie-lyrique traditions than are Gluck’s more familiar operas, with its short airs gliding into arioso and recitative.
Maria Callas - La Renaissance d'une Voix (2014) [Official Digital Download 24/96]

Maria Callas - La Renaissance d'une Voix (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 213:49 minutes | 3,33 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
Økapi & Aldo Kapi Orchestra - Opera Riparata: Tribute To Bruno Munari (2011)

Økapi & Aldo Kapi Orchestra - Opera Riparata: Tribute To Bruno Munari (2011)
EAC Rip | FLAC with CUE and log | scans | 252 mb
MP3 CBR 320kbps | RAR | 109 mb
Genre: classical, plunderphonics

Opera Riparata; Tribute To Bruno Munari is a 2011 CD by Økapi & Aldo Kapi Orchestra. Økapi is Italian sound and web designer Filippo Paolini, and this project consists of him gathering classical pieces and assembling it in his own experimental and new way. This was released by Illegal Art.
Maria Callas - Sings Great Arias From French Operas (1961/2014) [Official Digital Download 24/96]

Maria Callas - Sings Great Arias From French Operas (1961) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 49:44 minutes | 1,06 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Callas never sang a role in French on stage, though she had studied French repertoire as a student and one of her most famous roles, Cherubini’s Medea, had originally been written in French as Médée. From the early 1960s she made her home in Paris, where in 1961 she recorded this recital of French-language arias for both soprano and mezzo-soprano, composed in the 18th, 19th and 20th centuries.
Maria Callas - Remastered (The Complete Studio Recordings 1949 - 1969): Box Set 70CDs (2014)

Maria Callas - Remastered (The Complete Studio Recordings 1949 - 1969): Box Set 70CDs (2014)
Classical, Opera & Vocal | MP3 CBR 320 kbps | 9,77 Gb
Label: Warner Classics | Release Year: 2014

This is a deluxe box set including: Each individual item (complete opera or recital CD) presented in its original artwork, 136 pages hard-back book containing essays, a biography and chronology, rarely-seen photos and also reproductions of revealing correspondence between Maria Callas, Walter Legge and other EMI executives.
Wilhelm Furtwangler - Das Vermachtnis / The Legacy: Box Set 107CDs (2011)

Wilhelm Furtwängler - Das Vermächtnis / The Legacy: Box Set 107CDs (2011)
Classical | MP3 CBR 320 kbps | 15,7 Gb
Label: RED GENERAL CATALOG / Membran | Release Year: 2011

Conductor Wilhelm Furtwängler already enjoyed a worldwide legendary standing during his lifetime he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwängler is still an icon and his work has become an integral part of the music scene.
Alan Curtis, Il Complesso Barocco, Sonia Prina, Ann Hallenberg, Max Emanuel Cencic - Gluck: Ezio [2011]

Gluck - Ezio (Alan Curtis, Sonia Prina, Ann Hallenberg, Max Emanuel Cencic) [2011]
Classical | Erato 5099907092923 | TT: 69.27+77.26 | EAC (FLAC, cue, log) | Covers | 642 Mb

Alan Curtis, described by the New York Times' as "one of the great scholar-musicians of recent times", conducts a brilliant cast including Sonia Prina, Ann Hallenberg, Max-Emanuel Cencic and Topi Lehtipuu in the original, 1750 version of Gluck's Ezio, described by Curtis as "from a dramatic point of view, perhaps the finest of Gluck's pre-Orfeo operas".
Written to a libretto by the prolific and influential Metastasio, Ezio exemplifies the formal opera seria that Gluck sought to leave behind with his so-called reform operas such as Orfeo and Alceste; but after Orfeo's epoch-making premiere in Vienna in 1762 he revised Ezio for performance at the city's Burgtheater in 1763…