Ghost Writer wasn't Garland Jeffreys' first album, but it was the first one where his signature lyrical voice made itself properly heard on vinyl, and where he seemed to fully embrace the stylistic eclecticism that would become one of the hallmarks of his work…
Overall, Buckwheat offers much food for thought set in a musical recipe that makes the potent message easy to swallow.
Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.
Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.
Tim Garland is one of the U.K's most talented reedsmen. He's recorded several albums with Chick Corea including Originations and The Vigil plus orchestral works, The Mystery and The Continents. With virtuoso percussionist Bill Bruford, he recorded Earthworks Underground Orchestra. He's also recorded numerous albums under his own name and with Llamas and Acoustic Triangle. This is Garland's third album for Edition, the first being Return To The Northern Sky (2014), closely followed by Return To The Fire (2015).
The late 1950s were tough on Judy Garland, but this live recording, cut on April 23, 1961, at Carnegie Hall, would (rightfully) bring the legendary icon back into the spotlight. Live would go on to win five Grammys, be Garland's bestselling record, and confirm that, yes, on certain levels, she still had it. Her vocals are as strong as ever on these tunes, and Garland has fun with an audience obviously enraptured by her charms. She's self-deprecating where necessary–on "You Go to My Head" she "forgets" the lyrics but pretends to improvise. Mostly she just shines, especially on tunes she made famous, such as "Come Rain or Come Shine," "Stormy Weather," and "Over the Rainbow." This is easily one of pop music's greatest live recordings and a fine testament to Garland's recorded legacy. This two-CD set has been remastered for EMI's 40th-anniversary reissue to coincide with the ABC film based on daughter Lorna Luft's memoir Me and My Shadows.
On Silence Yourself, Savages' passion burned so brightly it seemed like it might consume itself before they could record a second album. Fortunately, Adore Life proves that the band not only has the endurance to return, but the finesse to come back better than ever. Jehnny Beth and company sound as bold as they did on their debut, but with a newfound precision that only makes their impact more powerful. Adore Life depicts love's most fearsome and joyous sides with a hunger that feels like these songs are really about devouring and being devoured. The churning opener "The Answer" boils relationships down to the plainest ultimatum possible: "If you don't love me/Don't love anybody."