Overall, Buckwheat offers much food for thought set in a musical recipe that makes the potent message easy to swallow.
Ghost Writer wasn't Garland Jeffreys' first album, but it was the first one where his signature lyrical voice made itself properly heard on vinyl, and where he seemed to fully embrace the stylistic eclecticism that would become one of the hallmarks of his work…
Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.
A Garland for Linda is a benefit album for the cancer-fighting organization the Garland Appeal. It is also a tribute album to Linda McCartney, who died of breast cancer in 1998. Her husband, Paul McCartney, contributes one selection, but it's not a pop song – it's a classical piece. It is one of ten classical pieces, all written for Linda McCartney, by such modern classical composers as John Tavener, Judith Bingham, David Matthews, John Rutter, Roxanna Ranufnik, Michael Berkeley, Giles Swayne, and Sir Richard Rodney Bennett. The pieces are all similar in tone – gentle, sometimes somber, yet always sweet. There may not be any major works here, but everyone's heart is in the right place, and the result is a sentimental mood piece that floats charmingly on its affection.
Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.