By the time Giorgio Moroder released Déjà-Vu, the world was as ready as it could be for his return. His work on Daft Punk's Random Access Memories was the most vivid reminder of his influence on decades of dance music, but artists such as Goldfrapp and Chromatics ensured that his brand of atmospheric disco and synth pop was nearly as in vogue in the 2000s and 2010s as it was in the '70s and '80s…
Metropolis is a 1927 German expressionist epic science-fiction drama film directed by Fritz Lang. Lang and his wife, Thea von Harbou, wrote the silent film, which starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G.. It is regarded as a pioneering work of the science-fiction genre in movies, being among the first feature-length movies of the genre. In 1984 Giorgio Moroder restored and produced the 80-minute 1984 re-release, which had a pop soundtrack written by Moroder and performed by Moroder, Pat Benatar, Bonnie Tyler, Jon Anderson, Adam Ant, Cycle V, Loverboy, Billy Squier, and Freddie Mercury.
Déjà Vu is the 17th overall studio album by Giorgio Moroder, and his first album in 30 years, released on 12 June 2015. It features collaborations with Britney Spears, Kylie Minogue, Kelis, Sia, Charli XCX, Mikky Ekko, Foxes and Matthew Koma, among others.
Volume 2 - VA compilation of Moroder-written and/or produced tracks. Nearly every track is a top-notch gem. A few hard-to-find tracks are included here too. Recommended for Moroder fans. ~ Amazon
VA compilation of Moroder-written and/or produced tracks. Nearly every track is a top-notch gem. A few hard-to-find tracks are included here too. Recommended for Moroder fans. ~ Amazon
From Here to Eternity is Moroder's quasi-instrumental masterpiece, a continuous mix of banging Eurodisco complete with vocoder effects and this statement on the back cover: "Only electronic keyboards were used on this recording". The metallic beats, high-energy impact, and futuristic effects prove that Moroder was ahead of his time like few artists of the 1970s (Kraftwerk included), and the free-form songwriting on tracks like "Lost Angeles", "First Hand Experience in Second Hand Love", and the title track are priceless.
While this soundtrack is arguably most notable for introducing Middle America to Blondie, there is also some interesting incidental music written by legendary producer Giorgio Moroder and performed by Harold Faltermeyer and Keith Forsey – the latter of which may be familiar to some as percussionist for the German prog/art rock collective Amon Düül. There is likewise a vocal contribution from actress/vocalist Cheryl Barnes on "Love and Passion." The album's pervading heavily manufactured and synthetically generated atmosphere is convincing in its aural depiction of the shallow decadence portrayed on the screen. It took almost two decades before American Gigolo was issued on CD in North America. The primary impetus for the release was the "extended version" of Blondie's "Call Me," which was unavailable on any Blondie album and was too long – at over eight minutes – to fit onto a single. The song was co-composed by Debbie Harry and Moroder specifically for this project, becoming the second chart-topper for the band, ultimately staying at number one for six weeks in March of 1980.
…One of Moroder's biggest hits, the track bounces back and forth between melodic disco and hypnotic sequencer trance just one step removed from the likes of Tangerine Dream.