Conductor Wilhelm Furtwängler already enjoyed a worldwide legendary standing during his lifetime he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwängler is still an icon and his work has become an integral part of the music scene.
The history of opera is inseparably linked with the biographies of singers; audiences have always been fascinated by both musical prowess and behind the scenes goings-on. The battle for prestige and fame was heated and passionate in the Baroque era, with legendary rivalries. Fiercely competitive, Cuzzoni and Bordoni were among the most acclaimed divas of the age, resorting to fisticuffs on stage. Present-day prima donnas Genaux, Prina, Nesi and Basso now follow in the footsteps of their fervid predecessors, presenting on disc a tongue-in-cheek survey of standout arias for mezzo soprano and contralto. Three star mezzos and a magnificent top contralto are accompanied by the superb Greek orchestra Armonia Atenea under conductor George Petrou, winner of Germany s prestigious ECHO Klassik Prize. A stunning recital, bringing to life the rich heritage of Baroque opera the acme of musical enjoyment with the entertaining element of cultic stardom.
Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.
Iphigénie en Tauride (Iphigeneia in Tauris) is a tragédie lyrique in four acts by Niccolò Piccinni, which was first performed at the Académie royale de musique (the Paris Opéra) on January 23, 1781. The opera’s libretto, by Alphonse du Congé Dubreuil, is based on a play of the same name by Claude Guimond de la Touche, although the ultimate source was the tragedy Iphigeneia in Tauris by Euripides. This opera marked the climax of the quarrel between the supporters of Piccinni and those of Christoph Willibald Gluck...
Following the success of 1999's thrilling Armide, Marc Minkowski and his excellent cast fully convey the power and drama of Gluck's masterpiece. They pull you into the story (based on a play by Euripides) through the emotional truth of their interpretation. The opening quiet strings create an air of mystery dispelled by a ferocious storm magnificently conveyed by these early-music specialists. Within a few phrases of Iphigénie's opening lament, Delunsch creates a believable, sympathetic character.