The legendary British rock band returns now with an anticipated brand new studio album titled "Gravitas". Introducing the new guitarist Sam Coulsona young talent from Bromsgrove UK, who is described by his bandmates as “a wonderful player, world-renowned among guitar virtuosos” and that shared stages alongside legends such as Paul Gilbert, Guthrie Govan, Tony MacAlpine among others.
After reuniting for 2008's Phoenix, the original four members of prog-pop supergroup Asia (bassist/vocalist John Wetton, keyboardist Geoff Downes, guitarist Steve Howe, and drummer Carl Palmer) stayed together for three more albums including 2012's XXX…
Voces8 return to disc with this new recording of J.S.Bach’s Motets, BWV 225-230. Joined by the Senesino players, this young group prove their versatility and skill in performing some of Bach’s most challenging and engaging compositions.
Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
Alessandro Stradella was, along with Henry Purcell and Heinrich von Biber, among the most striking and idiosyncratic composers of the late seventeenth century. He is known principally for his cantatas on sacred subjects such as "La Susanna" and "San Giovanni Battista," which prefigure Handel's oratorios, and from which Handel borrowed freely. Stradella's musical eccentricities were paralleled by his irregular life. A member of the minor nobility, he ran through his inheritance while young, and thereafter supplemented his musical earnings by questionable financial dealings that incurred the anger of influential families. These obliged him to flee Rome for Venice in 1677. At Venice he seduced the mistress of a patrician, who in consequence sent assassins after him. He fled again to Turin, then to Genoa, where he was finally klled in 1682. Responsibility for his murder has never been convincingly assigned. Stradella's life resembled a melodrama, and has indeed been made the subject of an opera by Flotow.