The good news is this recording of Shostakovich's Eleventh Symphony is in the same class as the best ever made. The even better news is it's the start of a projected series of recordings of all the Soviet master's symphonies. Vasily Petrenko has demonstrated before this disc that he is among the most talented of young Russian conductors with superb recordings of Tchaikovsky's Manfred Symphony and of selected ballet suites. But neither of those recordings can compare with this Eleventh. Paired as before with the Royal Liverpool Philharmonic Orchestra, Petrenko turns in a full-scale riot of a performance that is yet tightly controlled and cogently argued. Said to depict the failed revolution of 1905, Shostakovich's Eleventh is not often treated with the respect it deserves, except, of course, by Yevgeny Mravinsky, the greatest of Shostakovich conductors whose two accounts have been deemed the most searing on record. Until now: Petrenko respects the composer's score and his intentions by unleashing a performance of staggering immediacy and violence, a virtuoso performance of immense drama, enormous tragedy, and overwhelming power.
Great performances of this massive symphony aren’t exactly thick on the field, but my goodness, this is one of them. Vasily Petrenko and the Royal Liverpool Philharmonic play with 100 percent commitment in every single bar. The first movement opens broadly, the intensity already palpable. Taking full advantage of excellent sound and a wide dynamic range (crank up the volume for this one), the central march and battle will have you sweating in your seat. The unrelentingly sustained passion that Petrenko brings to this long section triumphantly vindicates Shostakovich’s controversial vision, and at the same time makes short work of a 28-minute overall timing.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Recorded at the Cafe Praga, Bologna, Italy, Dec 4,5,6 1990. Although he started out playing in fusion-oriented settings, Steve Grossman developed into an excellent hard bop tenor in the tradition of Sonny Rollins (although he developed his own sound). Grossman originally started on alto when he was eight, added soprano at 15, and tenor at 16. He started at the top as Wayne Shorter's replacement with Miles Davis, playing in his fusion group from late 1969 up to September 1970. Grossman was with Lonnie Liston Smith in 1971, spent a valuable period (1971-1973) as part of Elvin Jones' group, and in the mid-'70s was with Gene Perla's Stone Alliance. Steve Grossman has mostly led his own bands ever since, recording as a leader for such labels as P.M., Owl, Red, and Dreyfus.