After their highly acclaimed debut album ´Voices of Rock MMVII´ Germany based producers Chris Lausmann (Bonfire, Jaded Heart) and Michael Voss (Mad Max, Michael Schenker) did it again. The award winning team of Lausmann & Voss (´SAE alumni´ award for the best procuction 2007) decided to move on and write new gems in the vein of traditional Melodic Rock. On this album, you won't find any compromises, - no-one will jump onto a trendy train here.
2007 release from Melodic Rock supergroup/project. 10 tracks: Features members of House Of Lords, Harem Scarem, Hardline, MSG, Malmsteen, Street Talk, Robin Beck, Giant, Dan Reed, Crown Of Thorns, and FM.
This collection of works for unaccompanied voices is bookended by works by singer Cathy Berberian and composer Luciano Berio, who were once married to each other. John Cage's Story is a movement of his percussion quartet Living Room Music, while Young Turtle Asymmetries is by Cage's pupil Jackson Mac Low and Roger Marsh's Not a Soul But Ourselves is set to a text by James Joyce. Usually done solo, Berberian's Stripsody, with its score consisting solely of cartoons, is sung here by a trio and must be heard to be believed.
For this, his seventh soundtrack for director Peter Greenaway, Nyman deftly orchestrates a mix of strings, horns, and voices to produce another of his fetching and romantic minimalist backdrops. The opening "Memorial" is the highlight of the lot and drives along with stuttering saxophones, an insistent string arrangement, elegiac brass solos, and the soaring vocals of soprano Sarah Leonard (Leonard would be featured on a large part of the Prospero's Books soundtrack). The piece was originally inspired by a 1985 Belgian soccer match tragedy, in which 39 Italian fans were killed. Nyman utilized a death march in his earlier Greenaway collaboration, Drowning by Numbers, and revives the scheme to great effect here for what would become the main theme of The Cook, the Thief, His Wife, and Her Lover. Nyman contrasts the piece's climatic quality with two relatively sedate yet brooding numbers.
‘This set of five discs is an invitation to a rather special journey: through what you hear, and what you read too, you will traverse, guided by the cello, not one history but several histories. With these Cello Stories, our intention is to show you how an instrument and its repertoire have taken shape whilst retaining the imprint and memory of diverse origins. I have selected the musical programme from my recordings for Alpha – some of them previously unreleased – to complement the text by Marc Vanscheeuwijck and numerous contemporary illustrations.’ –Bruno Cocset