The survival of classical music may hinge on its ability to appear prominently outside the standard venues of concert halls and recording studios, thereby reaching a much larger audience of listeners who might otherwise never be treated to the masterworks of the canonical repertoire. New York-based ensemble the Knights seeks to do that by coupling its impressively broad repertoire (ranging from classical to jazz to world music) with a desire to play in locations where one might not expect to see an orchestra.
For business-oriented professionals who want to break the ice and get business conversations started with clients, or for those who just want to “listen in” on the other side. …
For more than fifty years, Eino Tamberg has remained an influential figure in the musical life of his native Estonia. His breakthrough on the international music scene came in 1956 with Concerto grosso, Op.5, which also heralded the success of the ‘new wave' of Estonian composers, including Arvo Pärt, Veljo Tormis and others. The Symphonic Dances, Op.6 incorporates Estonian folk tunes. A later work, the Suite from ‘Joanna Tentata' from 1972, serves as an example of Tamberg's great interest in the theatre. The plot of the ballet for which the original score was composed picks up more or less where Penderecki's famous opera ‘The Devils from Loudun' ends – the story of a French 17th-century convent in which the nuns have become possessed, and of the love between the convent's Mother Superior and a pious young priest.
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