Pianist Hal Galper's interpretations of eight familiar standards on this trio set with bassist Ray Drummond and drummer Billy Hart are consistently surprising and unpredictable. "Giant Steps" is treated as a sensitive out-of-tempo ballad, "What Is This Thing Called Love" begins with abstract chordings over a riff reminiscent of "Manteca" before the trio launches into a very fast tempo, "If I Didn't Care" is given a melancholy countermelody and "Azure" is made funky. In addiition "I Should Care" and "I'll Be Seeing You" (which are usually dramatic ballads) swing hard. By using the past to create new music, Hal Galper has developed fresh angles to old tunes, and the music on his CD has more than its share of successful surprises.
Features the latest remastering and an original cover artwork. Includes a description written in Japanese and bonus track(s). The Brecker Brothers (tenor saxophonist Mike and trumpeter Randy) join pianist Hal Galper, bassist Wayne Dockery, and drummer Bob Moses for a set of high-quality modern hard bebop. The Breckers spent much of the 1970s in the studios, so this LP (not yet reissued on CD) gave one a rare opportunity to hear them during the era playing in a noncommercial setting.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
For this 1990 set by Phil Woods' Quintet, the altoist welcomed trombonist Hal Crook to his group, joining several longtime members: pianist Hal Galper, bassist Steve Gilmore and drummer Bill Goodwin. Galper's melancholy ballad "Gotham Serenade" and Crook's modal blues "Ixtlan" on this CD contrast with Woods' three originals: "All Bird's Children," the upbeat "My Man Benny" (for Benny Carter) and an enthusiastic "Ole Dude." The quintet's treatments of three standards (all arranged by Crook) practically disguise the tunes, and a particular highlight is the group's version of Benny Carter's "Just a Mood," which pits Woods' clarinet with Crook's wah-wah trombone. A highly enjoyable outing.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on December 14, 1956 and May 24 & August 9, 1957. Originally released on Prestige (7133). Includes liner notes by Ira Gitler. Digitally remastered using 20-bit K2 Super Coding System technology. This is part of the Prestige Records 50th Anniversary Special Commemorative Edition series.
Formerly put out by Storyville, this audiophile CD reissue features the great Zoot Sims performing in a quartet with bassist Niels-Henning Ørsted Pedersen and two notable expatriates: pianist Kenny Drew and drummer Ed Thigpen…
This album features the artistry of one if Japan's top pianist's. When asked about the title of this album, Tsuyoshi Yamamoto had this to say: "I wrote this piece especially for this album and dedicated it to Winston Ma, the producer. I asked Winston to name the song. After hearing the song, Winston said he was reminded of the emotions he felt when he first saw the skyline of Seattle during an Autumn visit to the city some years go." Hence the name. Let Tsuyoshi lead you to a warm and romantic dreamland through his enchanting piano performances.