Pianist Hal Galper's interpretations of eight familiar standards on this trio set with bassist Ray Drummond and drummer Billy Hart are consistently surprising and unpredictable. "Giant Steps" is treated as a sensitive out-of-tempo ballad, "What Is This Thing Called Love" begins with abstract chordings over a riff reminiscent of "Manteca" before the trio launches into a very fast tempo, "If I Didn't Care" is given a melancholy countermelody and "Azure" is made funky. In addiition "I Should Care" and "I'll Be Seeing You" (which are usually dramatic ballads) swing hard. By using the past to create new music, Hal Galper has developed fresh angles to old tunes, and the music on his CD has more than its share of successful surprises.
Features the latest remastering and an original cover artwork. Includes a description written in Japanese and bonus track(s). The Brecker Brothers (tenor saxophonist Mike and trumpeter Randy) join pianist Hal Galper, bassist Wayne Dockery, and drummer Bob Moses for a set of high-quality modern hard bebop. The Breckers spent much of the 1970s in the studios, so this LP (not yet reissued on CD) gave one a rare opportunity to hear them during the era playing in a noncommercial setting.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. The title of A New Conception refers to Sam Rivers' ingenious interpretations of standards on this record. Rivers treats the songs – such familiar items as "When I Fall in Love," "I'll Never Smile Again," "That's All," "What a Difference a Day Makes," and "Secret Love" – with respect, but he doesn't treat them as museum pieces. He knows that if the songs are to remain fresh, they need to be heard in different ways, and he skillfully opens up each composition to contemporary avant-garde techniques.
Mosaic's limited-edition, five-disc box Phil Woods Quartet/Quintet 20th Anniversary Set is a treasure trove for hardcore fans of the alto saxophonist. All the material on this set is previously unreleased; Woods has been saving this material for 20 years and decided to license the tapes to Mosaic to celebrate his band's 20th anniversary. Much of this music is dynamic and exciting, and it will certainly be a welcome addition to the collection of any serious Woods fan.
For this 1990 set by Phil Woods' Quintet, the altoist welcomed trombonist Hal Crook to his group, joining several longtime members: pianist Hal Galper, bassist Steve Gilmore and drummer Bill Goodwin. Galper's melancholy ballad "Gotham Serenade" and Crook's modal blues "Ixtlan" on this CD contrast with Woods' three originals: "All Bird's Children," the upbeat "My Man Benny" (for Benny Carter) and an enthusiastic "Ole Dude." The quintet's treatments of three standards (all arranged by Crook) practically disguise the tunes, and a particular highlight is the group's version of Benny Carter's "Just a Mood," which pits Woods' clarinet with Crook's wah-wah trombone. A highly enjoyable outing.