Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.
Handel’s two sets of concerti grossi have been mainstays of the Baroque orchestral repertoire for many years and therefore have been embraced by ensembles around the world. They are among the few remaining examples of concertos composed early in his career. The dozen concertos of Handel’s op. 6 have eclipsed the half-dozen of op. 3 in popularity. The purpose of the set was twofold: to serve as interval music in his operas and oratorios, and—via their publication—to ensure dissemination to the various concerto societies and venues of London. Handel solicits comparison to the Corellian model by titling the set Twelve Grand Concertos and by making use of a concertino of two violins, cello, and continuo, a combination that was extremely popular at the time.
I Solisti Italiani is a chamber string orchestra consisting of about 12 players, known particularly for their spirited readings of works from the Baroque and Classical periods. They have performed and recorded much Vivaldi over the years and have devoted nearly as much effort to the works of Handel, Mozart, Mendelssohn, and Rossini…
This was William Christie's last recording for Harmonia Mundi, and it really is a pity that he only recorded five out of a total of twelve concertos, for these are superb performances in every respect. If you're looking for an excellent selection on one disc from Handel's Op. 6, then you really can't do better. On the other hand, I can't imagine anyone not wanting the whole set, and Andrew Manze and the Academy of Ancient Music, also on Harmonia Mundi, squeeze them all onto just two discs in performances every bit as fine as these. It's your call. –David Hurwitz
Magnifica esecuzione dell' Hendel & Haydn Society, con strumenti d'epoca, diretti da Christopher Hogwood
The release of Concerti Grossi Opus 6 marks the beginning of Linn and The Avison Ensemble’s commitment to record Corelli’s complete chamber music. Arcangelo Corelli was one of the shining geniuses of the baroque era and his twelve Concerti Grossi are considered among the very best of Italian baroque output. The twelve Concerti Grossi demonstrate an austere grandeur and a never-ending invention which is never routine.
I Solisti Veneti is one of the first rank of small Italian chamber orchestras with modern instruments. Founded in Padua in 1959 by Claudio Scimone, it has made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini. Giuliano Carmignola and Piero Toso were two of the soloists in the ensemble. The group has made over 300 recordings, many on the Erato record label. A number of these were first-ever recordings of works of Vivaldi, Albinoni and Rossini.