Trio Records proudly presents a 'live' recording of a quartet featuring the incredible US jazz saxophonist Harry Allen recorded at the Watermill Jazz Club with Italian pianist Andrea Pozza, gifted bassist Simon Woolf and ever popular drummer Steve Brown. Fans of the long linage of the saxophone greats will not be disappointed. Harry Allen can be instantly lined up as a disciple of the late Stan Getz, but he has absorbed far more of the jazz saxophone tradition with elements of Hawkins, Webster, Zoot and Al, and elements from one of his teachers Scott Hamilton. However, Harry Allen's voice is very much his own and as fresh as any on the contemporary scene. With a formidable technique and searing sound Harry Allen continues the tradition of the great saxophonists before him. The material on the CD is a straight blowing set ofjazz standards, a couple of great originals penned by Harry Allen and Judy Carmichael and the theme to Star Trek based on the standard Out Of Nowhere.
Back in 1964, saxophonist Stan Getz made one of those perfect albums. He teamed up with famed Brazilian songwriters and guitarists, Joao Gilberto and Antonio Carlos Jobim, and delivered one of the best records in his career: Gezt/Gilberto (Verve, 1964). The combination of the wistfully vibrant bossa nova and the sensual saxophone sound of Getz proved to be irresistible. History has a way of repeating itself and now it is time for yet another crucial meeting between a group of Brazilian musicians and an American saxophonist. Harry Allen could be considered one of the most prominent heirs to the sound of Getz, so it was only a matter of time before he would find the ideal partner to make an album with a perfect Brazilian sound. In fact, his partner found him. In the elaborate notes to the album Something About Jobim, producer and bassist, Rodolfo Stroeter, tells the story of the album. When his good friend, record producer Søren Friis of Stunt Records, gave him a bunch of records to listen to, one of them especially caught his attention.
The legendary Four Brothers reed section of Woody Herman's famous "Second Herd" big band of 1947, (Herbie Steward, Zoot Sims, Stan Getz and Serge Chaloff) is reimagined and reinvigorated by jazz icons Harry Allen, Eric Alexander, Grant Stewart and Gary Smulyan on the exciting, swinging and audacious recording of The Candy Men by Harry Allen's All Star New York Saxophone Band. Offering a sensational set of twelve bop-infused tunes containing some hard-driving, mid-tempo swing pieces to breathy and bossa-styled ballads, one sampling of this disc is just not enough. The material and the musicianship is so outstanding, that the late, great bandleader Woody Herman himself, would be proud of the way this group of jazz icons, has so elegantly represented the original Brothers section.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Tenorist Harry Verbeke's a hell of a reedman – a Dutch player who's never gotten the notice he should on our side of the Atlantic, but definitely one of the shining stars of the scene in Netherlands over the past 50 years! Harry blows with a sense of soul and bite right from the very first few notes of this gem of a record – working in tight formation with pianist Rob Agerbeek – another tremendous Dutch talent – in a groove that's as soulful and fluid as the best American work of the late 60s or 70s – classic in conception, but really trying to so something new as well, and with a very personal vibe on the tenor solos. Bassist Harry Emmery rounds out the groove with this wonderful warm tone – and drummer James Martin completes the group – on stellar titles that include "Sometimes Bread", "Ladies Birthday", "Seven Steps", "Ghana", and "Off The Top".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A killer Dutch duo from the end of the 70s – tenorist Harry Verbeke, who's got a bold, clear sound – and pianist Rob Agerbeek, who's been making soulful sides from the 60s onwards! The pair get great accompaniment here from drummer Billy Higgins and bassist Herbie Lewis – the last of whom may be at his best here – with these well-placed, well-rounded lines that help the record groove right from the start – and which give the record a nice bounce, even in gentler moments – followed up strongly by Agerbeek and his strong sense of chord progressions. Most tunes are familiar, but get nice readings by the group – and titles include "Gibraltar, "Holy Land", "Soul Sister", "No Me Esqueca", and "No Problem".
There is no greater paragon of tenor saxophonist taste than Harry Allen. While the fickle winds of prevailing styles continue to blow this or that way, Allen stands tall like the mighty oak, unswayed by fad fashions and firmly rooted to the music of the Great American Songbook. On this appealing date, Allen visits the music of George Gershwin, Cole Porter, and Duke Ellington.