An absolutely beautiful recording of two virtuosos. While bassist Charlie Haden may set the stage with his deep acoustic tone, the architect is the harmonic master pianist Chris Anderson. His resume includes a lengthy position as Dinah Washington's pianist and he served as Herbie Hancock's teacher. This is one of his rare recordings as a leader and, to our ears, undoubtedly his best. Recorded at the Cami Hall in New York in the summer of 1997. (Source: musicdirect.com)
"The Wild Heart" is the second studio album by the American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. Recording began in late 1982, shortly after the end of Fleetwood Mac's Mirage Tour. After the death of her best friend, Robin Anderson, and with new appreciation for her life and career, the recording took only a few months and was released on June 10, 1983, a year after Fleetwood Mac's Mirage. It peaked at #5 on the U.S. Billboard 200 charts (for seven consecutive weeks) and achieved platinum status on September 12, 1983. The album has sold over 2 million copies in the US alone, and has sold approximately 250,000 copies in the US since 1991 according to Nielsen Soundscan.
Classy West coast AOR. Lush keys and fantastic guitars highlight this awesomely played album where the combination of producer/songwriter Clif Magness, guitar player Jay Graydon and keyboardis/producer Glen Ballard brings us a wonderful collection of songs. All songs are written by the creative songwriters – two time Grammy winner and 12 times nominated Los Angeles top songwriter, recording artist, guitarist, producer, arranger, engineer, and more – Jay Graydon, and his band partners Clif Magness and Glen Ballard.
Appearing after the sprawling, unfocused double-album set Ummagumma, Atom Heart Mother may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era…
Lindsey Webster has established herself as one of the leading contemporary female singers with her previous two great albums. She now joins the Shanachie label and is about to break into the bigger audience her beautiful voice and material deserves. Thankfully unlike other independent artists stepping up, she has retained artistic control and her own sound. ‘Back to Your Heart’ is a lovely mid tempo groover with a tough backbeat. The guitar backed ‘Where do you want to go’ is a really nice down tempo number. ‘One at a time’ is another quality chilled out song. ‘On our Way’ has more of a groove, a good sax solo and Lindsey’s voice soars towards the end when the song leads to a crescendo. The strutting ‘Somehow’ and ‘Next to Me’ are real foot tappers, and ‘Ain’t It Funny’ is a more up tempo song. ‘Living A Lie’ is good Soul ballad. Really good album throughout.
Keith Richards brings the third solo album for the first time since in 23 years. This Japanese edition exclusively features SHM-CD format + bonus track. Keith Richards took his time to complete Crosseyed Heart. It arrives 23 years after Main Offender, his last solo studio album, but also 11 years after A Bigger Bang, the last official Rolling Stones record, but Richards hasn't exactly been quiet in all those years. He helped Mick Jagger flesh out the leftover demos for expanded editions of Exile on Main St. and Some Girls – conspiracists argued some of the writing happened in the new millennium – and toured with the Stones on various anniversaries, but the feather in his cap was Life, the 2010 memoir that established Keith as a razor-sharp raconteur for the masses that may never have paid attention to Talk Is Cheap.
Following the same formula as her early records, Heart Like a Wheel doesn't appear to be a great breakthrough on the surface. However, Ronstadt comes into her own on this mix of oldies and contemporary classics…
Like the sublimely seedy roadside joints of America’s rural South — where you can shoot pool, buy fishing worms and have your lawnmower repaired all in the same room — Fetchin Bones are dedicated to the sort of unexpected variety that somehow seems to work. On their debut album, the North Carolina quintet peddles an exciting mix of revved-up rock, country twang, folk, blues and swing, driving it all home with unrestrained energy and unpolished charm. The crazed quaver in singer Hope Nicholls’ voice provides the heart of the Bones’ sound; three songs without her lead vocals are the album’s weakest cuts. Producer Don Dixon admirably translates the group’s wild-eyed persona to vinyl, but this is a band that must be seen live for a full grasp of their eclectic frenzy. Delightfully different graduates of the R.E.M.-inspired school of Southern pop. (The CD and cassette add three tracks.)
Blood Ceremony is a Canadian psychedelic rock band formed in 2006 in Toronto, Ontario. Blood Ceremony's style has been described as "flute-tinged witch rock" and their lyrics are filled with black magic imagery and references to classic horror films. The band is fronted by singer/flutist/organist Alia O'Brien, whose flute solos are reminiscent of Jethro Tull's Ian Anderson.