In a story interspersed with interview tales of romantic pitfalls, friendship turns to romantic rivalry for gay man Francis and straight woman Marie when a veritable Adonis named Nicolas enters their lives. Sexual tensions mount as Francis and Marie await Nicolas' show of preference.
Black Swans and Wormhole Wizards is the thirteenth studio album by guitarist Joe Satriani, released on October 5, 2010 through Epic Records. Recording for Black Swans and Wormhole Wizards took place in June–August 2010 and the title was announced on August 20. A podcast of each track was put up on Satriani's official Facebook profile and YouTube channel leading up to the album's release, with "Light Years Away" being released as a free MP3 single download on September 7, 2010 in exchange for the customer advertising it in a Facebook post or Twitter tweet. Two bonus tracks, "Heartbeats" and "Longing", were made available through Best Buy and Napster.
Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present.
In the early 1960's, a quintet of hopeful young African American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improve, turn pro, and rise to become a top flight music sensation.
The John Barry Seven take pride of place above the title on this 40-track CD, called Drumbeat after a BBC TV series that enjoyed a one-off 22-week run in the summer of 1959. Buddy Holly, Cliff Richard, Russ Conway and Connie Francis were in the top ten that hot summer, and Barry’s guest artists, though not of that elevated status, did feature singers who were about to become stars and remain household names, including Adam Faith and Dusty Springfield, one of the Lana Sisters.
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…
Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.