In a story interspersed with interview tales of romantic pitfalls, friendship turns to romantic rivalry for gay man Francis and straight woman Marie when a veritable Adonis named Nicolas enters their lives. Sexual tensions mount as Francis and Marie await Nicolas' show of preference.
Black Swans and Wormhole Wizards is the thirteenth studio album by guitarist Joe Satriani, released on October 5, 2010 through Epic Records. Recording for Black Swans and Wormhole Wizards took place in June–August 2010 and the title was announced on August 20. A podcast of each track was put up on Satriani's official Facebook profile and YouTube channel leading up to the album's release, with "Light Years Away" being released as a free MP3 single download on September 7, 2010 in exchange for the customer advertising it in a Facebook post or Twitter tweet. Two bonus tracks, "Heartbeats" and "Longing", were made available through Best Buy and Napster.
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…
Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present.