King Henry V of England is insulted by the King of France. As a result, he leads his army into battle against France. Along the way, the young king must struggle with the sinking morale of his troops and his own inner doubts. The war culminates at the bloody Battle of Agincourt.
On the surface, Believe It! is standard-issue bar-band blues-rock, but it is distinguished by Joanna Connor's passion for the music. Connor believes in the music so much, it can't help but appear in the grooves every once in a while. In particular, her guitar playing is noteworthy – it's tough, greasy, and powerful. Believe It! suffers from a lack of memorable songs – she's still trying to develop a distinctive songwriting voice – but Connor's strong performances carry the album through any weak moments.
Although Debbie Harry's popularity had decreased by the late '80s, 1989 wasn't a bad year for her at all. That year, Blondie's former lead vocalist successfully portrayed a struggling singer on the brilliant but underrated CBS crime drama Wiseguy, and demonstrated that she could still have considerable fun in the studio. Under the direction of hit producer Mike Chapman – who had worked with Blondie, as well as with everyone from Sweet to Scandal – Harry delivers an eclectic CD that isn't in a class with a Blondie treasure like Parallel Lines but nonetheless has a lot going for it. Much of this new wave-ish pop/rock and European-flavored dance music is heartfelt, clever, and quite memorable. Everything from the charming "Brite Side" (which she performed on Wiseguy) to the addictive "Bike Boy" to the haunting "He Is So" makes it clear that Harry, at 43, was far from a has-been.