"By the end of Middle Ages the monks of Montserrat had assembled a distiguished library. Unfortunately this was largely destroyed in 1811 during the Napoleonic wars. The most precious surviving medieval manuscript in the Scriptorium at Montserrat is undoubtedly the famous Ms. No. 1, known as the Llibre Vermell or Red Book of Montserrat, from the colour of the late 19th century velvet which covers the binding of the codex. The manuscript completed in 1399, originally contained about 172 double pages, or folios, of which 35 have been lost. Included in the Llibre Vermell are ten musical works - possibly more originally - by a number of unknown composers."
There are more than one dozen recordings of Monteverdi's great masterpiece, the Vespers of 1610, a distinction reserved for very few works and composers from the late 16th and early 17th centuries. With this kind of attention, you'd think that this substantial work for choir, soloists, and instruments would be more easily accessible–but it is in fact a structurally complex and musically intricate compilation of hymns, antiphons, and psalms, concluding with a magnificent setting of the Magnificat. Most recordings can't seem to overcome the strategic and technical problems of presenting such a three-dimensional work on a recording. But this one is different: the music literally comes alive and grabs our attention. If you're in the market for Monteverdi's Vespers, look no further. This is the most dynamic, dramatic version on disc.
Dixieland, sometimes referred to as hot jazz or traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century.
Great CD of this rare band. Always liked the band and could never find them on CD.
Started as a project between Francesco Paladino and Pier Luigi Andreoni, The Doubling Riders quickly grew into a collection of sounds that ranged between new age, folk, electronic music and balls to the wall experimentation. "Garama" was originally released on Il Museo Immaginario in 1991. The Doubling Riders make trippy music, their compositions oscillate between a soundtrack to a meditation session and a blissful look at a potentially never-ending painting. This is a wonderfully evocative album of old school , synth infused ethno-ambiance of the highest caliber. A concept album of sorts, it references the ancient Saharan kingdom of the Garamantes, who lived in what is now central Libya. Eerie, melodic, mysterious…
Matchbook is an album by Cold Chisel member Ian Moss released in 1989. It spent 3 weeks at the top of the Australian Album charts in 1989 and was preceded by the single "Tucker's Daughter" which was also a No. 1 hit. The first four tracks on the album were all released as singles. Matchbook was the first solo album for Moss and featured several songs written for him by Don Walker, also from Cold Chisel.
This 15-track single-disc collection was culled from Canned Heat (1967), Boogie With Canned Heat (1968), Living the Blues (1968), Hallelujah (1969), and Future Blues (1970). Arguably, Canned Heat Cookbook (1969) – a hits package in its own right – could be lumped in since it was the first full-length platter with "Going Up the Country," which was initially only issued on a 45-rpm single. During this era, the Heat was inhabited by Alan "Blind Owl" Wilson (guitar/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), and Bob "The Bear" Hite (vocals). Frank Cook (drums) contributed to the band's self-titled debut prior to being replaced by Aldolfo "Fito" de la Parra (drums)…