Final Vinyl is a Hot Tuna compilation album. At the time the album was assembled, Jorma Kaukonen and Jack Casady had stopped performing together and were on to newer endeavours. Kaukonen recorded a solo album, Jorma, and Casady joined the band SVT. Kaukonen signed to RCA Records and Casady moved to 415 Records. This marked the end of Hot Tuna on the Jefferson Airplane owned Grunt Records, so a "final" compilation album was assembled.
Double Dose was the eighth album by the American blues rock band Hot Tuna, and their third live album. The album was originally released as a double-LP as Grunt CYL2-2545. After their 1977 tour, Jorma Kaukonen moved on to a solo career and Jack Casady joined the new wave band SVT. Hot Tuna would not perform together again until 1983. The album had its highest peak at #92 on the Billboard charts.
Hoppkorv was the seventh album by the American blues rock band Hot Tuna, and their last studio album recorded for Grunt Records, as Grunt BFL1-1920. Unlike previous albums, Hot Tuna relied entirely on an outside producer for this effort, Harry Maslin. In addition to four new original songs by Jorma Kaukonen and one by Nick Buck, the album includes covers of Buddy Holly's "It's So Easy", Muddy Waters' "I Can't Be Satisfied", and Chuck Berry's "Talkin' 'Bout You." The album had its highest peak at #116 on the Billboard charts.
Yellow Fever was the sixth album by the American blues rock band Hot Tuna, recorded and released in 1975 as Grunt BFL1-1238. The album was also released in Quadraphonic as Grunt BFD1-1238. Compared to their first two wholly blues-based albums (recorded live) and the following two studio albums, “Yellow Fever” (and it’s immediate predecessor “America’s Choice,” both released in 1975) holds moments that surpass everything they ever recorded as Hot Tuna. The album rose to #97 on the Billboard charts.
America's Choice was the fifth album by the American blues rock band Hot Tuna, recorded in 1974, and released in 1975 as Grunt BFL1-0820. The album was also released in Quadraphonic as Grunt BFD1-0820. The first of the "Rampage" trilogy albums (the others being Yellow Fever and Hoppkorv) recorded by the now power trio, it marked a major shift in musical direction by the group. With new drummer Bob Steeler, Tuna now performed in a predominantly hard rock style rather than their previous more acoustic flavored manner.
First Pull Up, Then Pull Down is the second album by Hot Tuna, released in 1971 as RCA Victor LSP-4550. The album was recorded live with electric instruments, instead of the acoustic instruments used on the previous album, Hot Tuna. The album rose to #43 on the Billboard charts. In 1996, RCA released the CD box set Hot Tuna in a Can, which included a remastered version of this album, along with remasters of the albums Hot Tuna, Burgers, America's Choice and Hoppkorv.
Deluxe Vinyl Replicas by Culture Factory constitute high quality reissued compact-discs which reproduce all the components of the original LPs and are their exact replicas in compact-disc size (5.3 x 5.3 inches), with authentic single or gatefold cardboard jackets and paper sleeves. In addition to the above, each compact-disc Deluxe Vinyl Replica includes a black finish CD complete with the original label to give it the look and feel of the original record album. The music is encoded using state of the art, high definition remastering in 96 kHz / 24 Bit audio. Brand new, original, factory-shrinkwrapped, limited edition CD release.
Only the second Hot Tuna studio set in 30 years, and the band's first in two decades, the outfit circa 2011 is a decidedly older, wiser, and more laid-back unit than the amped-up boogie-ers responsible for a series of successful albums in the '70s. That's a mixed blessing, though, because the Tuna seem to have lost some of their fire during their long layoff from the studio. Where once Jack Casady's thunderous bass played tag with Jorma Kaukonen's blustery, psychedelic blues guitar lines, the duo – now fleshed out with mandolin player Barry Mitterhoff and drummer Skoota Warner – is now content to be a pretty decent but far less distinctive folk, blues, and singer/songwriter act.