Hubert Von Goisern

Hubert Von Goisern Und Die Alpinkatzen - Omunduntn (1994)  Music

Posted by tirexiss at May 14, 2017
Hubert Von Goisern Und Die Alpinkatzen - Omunduntn (1994)

Hubert Von Goisern Und Die Alpinkatzen - Omunduntn (1994)
EAC | FLAC (tracks+.cue, log) - 329 MB | MP3 (CBR 320 kbps) - 129 MB | Covers Included | 52:07
Genre: Folk-Rock | Label: Ariola | Catalog: 74321 18962 2

Goisern sagte einmal, er wolle ursprüngliche Volksmusik machen - und er versteht darunter nicht, daß wird man schnell beim lauschen dieser CD begreifen, Volksmusik ala Musikantenstadel oder irgendwelcher ähnlichen Sendungen, in denen Menschen auftreten, die so wahrscheinlich nie in ihrer Heimat gesungen hätten. Jedenfalls ist dies - vielleicht entfernt mit BAP zu vergleichen - Musik die wirklich in den Körper geht, bei der man nicht einfach ruhig sitzen kann und nur lauscht sondern sich bewegen muß.

VA - German Top 100 Single Charts (21.05.2012)  Music

Posted by flowerpack at May 15, 2012
VA - German Top 100 Single Charts (21.05.2012)

VA - German Top 100 Single Charts (21.05.2012)
Pop | MP3 VBR 192 kbps avg | 368 min | 639 MB

VA - German Top 100 Single Charts (07.05.2012)  Music

Posted by flowerpack at May 4, 2012
VA - German Top 100 Single Charts (07.05.2012)

VA - German Top 100 Single Charts (07.05.2012)
Pop | MP3 VBR 192 kbps avg | 379 min | 644 MB
Wagner - Die Meistersinger von Nurnberg (Vladimir Jurowski) (2012) [Blu-Ray]

Wagner - Die Meistersinger von Nürnberg (Vladimir Jurowski) (2012) [Blu-Ray]
2xBluRay | BDMV | MPEG-4 AVC Video / 30675 kbps / 1080i / 29,970 fps | 280 min | 41,5+40,5 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.1 / 48 kHz / 3739 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 280 min | 15,2 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, Francais, Deutsch

English-speaking audiences have always found Die Meistersinger to be a life-enhancing celebration of wisdom, art and song. So it proves in David McVicar's production – the first at Glyndebourne – which is updated to the early-19th century of Wagner's childhood. At the centre of a true ensemble cast is Gerald Finley, a 'gleamingly sung', 'eminently believable' Sachs (The Independent on Sunday), supported by the dynamic conducting of Vladimir Jurowski which, like McVicar's production, uses Glyndebourne's special intimacy to bring sharp focus to bear on the subtlety of Wagner's musical and dramatic counterpoint.
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Nils Petter Molvaer & Moritz Von Oswald - 1/1 (2013) {EmArcy 06025 3743670}

Nils Petter Molvaer & Moritz Von Oswald - 1/1 (2013) {EmArcy 06025 3743670}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 331 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 300 dpi (png) -> 61 Mb | 5% repair rar
© 2013 EmArcy / Universal | 06025 3743670
Jazz / Electronic / Experimental / Modern Jazz / Trumpet

With the breakup of his trio responsible for the superb Baboon Moon (Sula, 2011), it's been a fair question to wonder: what's next for Nils Petter Molvær? One possible answer is certainly 1/1, the Norwegian trumpeter's debut with German multi- instrumentalist and influential techno producer Moritz von Oswald and his nephew, Laurens. The trio's debut performance at Kristiansand, Norway's 2013 Punkt Festival, while strong, was largely misleading; the show certainly occupied some of 1/1's more ethereal territory, but Molvær and his partners also traveled to far more beat-driven, danceable terrain.
Lapland CO, John Storgards, Jenny Carlstedt - Alexander von Zemlinsky: Seven Songs; Chamber Symphony (2016)

Alexander von Zemlinsky: Seven Songs of Night and Dream; Chamber Symphony (2016)
Lapland Chamber Orchestra; John Storgårds, conductor; Jenny Carlstedt, mezzo-soprano

EAC | FLAC | Image (Cue&Log) ~ 263 Mb | Mp3 (CBR320) ~ 145 Mb | Artwork included
Genre: Classical | Label: Ondine | # ODE 1272-2 | Time: 01:01:22

Ondine is proud to release these world premiere recordings of two new Zemlinsky arrangements by Richard Dünser (b. 1959) with Lapland Chamber Orchestra conducted by John Storgårds. The works of Austrian composer Alexander Zemlinsky (1871-1942) - much admired by composers such as Mahler, Schoenberg and Berg - have gained more attention during the last decades. He wrote only 27 works with an opus number, but several of them can be considered among 20th century masterpieces. In 2013 composer Richard Dünser (b. 1959), pupil of Francis Burt and Hans Werner Henze, made two new rich arrangements of works by Zemlinsky. Seven Songs of Night and Dream (Sieben Lieder von Nacht und Traum) is an orchestration of songs from opp. 2, 5, 6, 8 and 10 based on the themes of night and dream. In this recording the songs are sung by mezzo-soprano Jenny Carlstedt. Chamber Symphony is a 40-minute orchestration of Zemlinsky's String Quartet No. 2. In this orchestration the limitations of a string quartet is set free by using a larger ensemble. Zemlinsky's String Quartet contains references to the works of his most famous pupil, Arnold Schoenberg.
Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)

Herbert von Karajan & Berlin Philharmonic - Herbert von Karajan & Berliner Philharmoniker (2017)
Classical | MP3 CBR 320 kbps | 08:08:26 | 1.10 GB
Label: Deutsche Grammophon | Release Year: 2017

One of his peculiarities was that he usually conducted concerts with his eyes closed, vexing many orchestra musicians. However, through Karajan’s intense rehearsals they were thoroughly prepared for performances. “His philosophy was that everything the orchestra needs had to happen beforehand,” the string bassist Rudolf Watzel recalled. Under Herbert von Karajan the Berliner Philharmoniker developed their very own performance culture, characterised by a beauty of sound, enchanting legati, virtuosity and perfection. He preferred to concentrate on the classical-romantic repertoire: Beethoven, Brahms, Bruckner, Schumann, Tchaikovsky, Wagner and Strauss. In addition, he devoted himself to the Second Viennese School and leading composers of the early 20th century like Ravel, Stravinsky and Debussy, taking occasional excursions into the contemporary era with works by Messiaen and Henze, even Penderecki.
Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)

Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)
EAC | FLAC (tracks+.cue, log) | Covers Included | 45:00 | 243 MB
Genre: Classical, Choral | Label: Carus | Catalog: 83.417

This world premiere recording of this Christmas oratorio by Reinhard Keiser (1674-1739) makes available one of the few surviving sacred works by a musician who was highly regarded by his contemporaries, primarily as a composer of operas. Well-known Christmas chorales, opulently scored, with rich polyphony, depict with great delicacy, the scene around the crib at Bethlehem.
The Gaudier Ensemble, Susan Tomes - Carl Maria von Weber: Clarinet Quintet; Piano Quartet; Trio (2005)

Carl Maria von Weber: Clarinet Quintet; Piano Quartet; Trio (2005)
The Gaudier Ensemble, Susan Tomes, piano

EAC | FLAC | Tracks (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 189 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA67464 | Time: 01:13:08

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours. Then there’s the element of virtuosity which is a hallmark of the early Romantic era, in the showy piano part of the Quartet, which Weber wrote for himself, the concerto-like clarinet part in the Quintet with strings, designed for the pioneering Heinrich Baermann, and all three parts of the tuneful Trio for flute, cello and piano. The talented members of the pan-European Gaudier Ensemble are perfectly equipped to convey these different aspects of Weber’s musical personality, with the fleet-fingered pianist Susan Tomes leading the way in the Quartet and Trio, and Richard Hosford in the Clarinet Quintet recalling contemporary descriptions of Baermann’s own effortless brilliance.