Hubert Von Goisern

VA - German Top 100 Single Charts (21.05.2012)  Music

Posted by flowerpack at May 15, 2012
VA - German Top 100 Single Charts (21.05.2012)

VA - German Top 100 Single Charts (21.05.2012)
Pop | MP3 VBR 192 kbps avg | 368 min | 639 MB

VA - German Top 100 Single Charts (07.05.2012)  Music

Posted by flowerpack at May 4, 2012
VA - German Top 100 Single Charts (07.05.2012)

VA - German Top 100 Single Charts (07.05.2012)
Pop | MP3 VBR 192 kbps avg | 379 min | 644 MB
Lapland CO, John Storgards, Jenny Carlstedt - Alexander von Zemlinsky: Seven Songs; Chamber Symphony (2016)

Alexander von Zemlinsky: Seven Songs of Night and Dream; Chamber Symphony (2016)
Lapland Chamber Orchestra; John Storgårds, conductor; Jenny Carlstedt, mezzo-soprano

EAC | FLAC | Image (Cue&Log) ~ 263 Mb | Mp3 (CBR320) ~ 145 Mb | Artwork included
Genre: Classical | Label: Ondine | # ODE 1272-2 | Time: 01:01:22

Ondine is proud to release these world premiere recordings of two new Zemlinsky arrangements by Richard Dünser (b. 1959) with Lapland Chamber Orchestra conducted by John Storgårds. The works of Austrian composer Alexander Zemlinsky (1871-1942) - much admired by composers such as Mahler, Schoenberg and Berg - have gained more attention during the last decades. He wrote only 27 works with an opus number, but several of them can be considered among 20th century masterpieces. In 2013 composer Richard Dünser (b. 1959), pupil of Francis Burt and Hans Werner Henze, made two new rich arrangements of works by Zemlinsky. Seven Songs of Night and Dream (Sieben Lieder von Nacht und Traum) is an orchestration of songs from opp. 2, 5, 6, 8 and 10 based on the themes of night and dream. In this recording the songs are sung by mezzo-soprano Jenny Carlstedt. Chamber Symphony is a 40-minute orchestration of Zemlinsky's String Quartet No. 2. In this orchestration the limitations of a string quartet is set free by using a larger ensemble. Zemlinsky's String Quartet contains references to the works of his most famous pupil, Arnold Schoenberg.
Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)

Rastatter Hofkapelle, Jurgen Ochs - Keiser: Dialogus von der Geburt Christi (Christmas oratorio) (2008)
EAC | FLAC (tracks+.cue, log) | Covers Included | 45:00 | 243 MB
Genre: Classical, Choral | Label: Carus | Catalog: 83.417

This world premiere recording of this Christmas oratorio by Reinhard Keiser (1674-1739) makes available one of the few surviving sacred works by a musician who was highly regarded by his contemporaries, primarily as a composer of operas. Well-known Christmas chorales, opulently scored, with rich polyphony, depict with great delicacy, the scene around the crib at Bethlehem.
The Gaudier Ensemble, Susan Tomes - Carl Maria von Weber: Clarinet Quintet; Piano Quartet; Trio (2005)

Carl Maria von Weber: Clarinet Quintet; Piano Quartet; Trio (2005)
The Gaudier Ensemble, Susan Tomes, piano

EAC | FLAC | Tracks (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 189 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA67464 | Time: 01:13:08

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours. Then there’s the element of virtuosity which is a hallmark of the early Romantic era, in the showy piano part of the Quartet, which Weber wrote for himself, the concerto-like clarinet part in the Quintet with strings, designed for the pioneering Heinrich Baermann, and all three parts of the tuneful Trio for flute, cello and piano. The talented members of the pan-European Gaudier Ensemble are perfectly equipped to convey these different aspects of Weber’s musical personality, with the fleet-fingered pianist Susan Tomes leading the way in the Quartet and Trio, and Richard Hosford in the Clarinet Quintet recalling contemporary descriptions of Baermann’s own effortless brilliance.
Orchestre Victor Hugo Franche-Comté - Mahler: Das Lied von der Erde (Kammerfassung) (2017)

Orchestre Victor Hugo Franche-Comté - Mahler: Das Lied von der Erde (Kammerfassung)
Classical | WEB FLAC (tracks) & d. booklet | 59:49 min | 291 MB
Label: Klarthe | Tracks: 06 | Rls.date: 2017

The „Song of the earth“, an ode to life, to nature, to youth, to beauty, is also the most poignant of hymns to humanity. This universal love song, from a Gustav Mahler at the summit of his art form is interpreted here by young performers, passionate about this work and its limitless wealth of expression.
Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)

Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 1.33 GB | MP3 CBR 320 kbps - 751 MB | 05:27:03
Classical, Opera | Label: Immortal Performances | Release Year: 2016

This five-CD set from andante presents the highly sought-after version of Wagner's "Die Meistersinger von Nürnberg" recorded live at the 1937 Salzburg Festival, with Arturo Toscanini conducting and a cast including Hans Hermann Nissen as Hans Sachs and Maria Reining as Eva. With the Nazi annexation of Austria to follow the next year, Toscanini - a dedicated anti-fascist - would never return to Salzburg. This recording captures both the Maestro and the Salzburg Festival at a fraught moment in history, and the electricity in the air and in the music-making was captured by Austrian Radio's experimental Selenophone audio film system.
Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016) {Les indispensables de Diapason}

Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 383 mb | MP3 CBR 320kbps | RAR | 207 mb
Classical, Orchestral | Label: Les indispensables de Diapason / No. 82

Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box-set) (Gary Bertini) (2005) {EMI}

Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box set) (Gary Bertini) (2005)
EAC Rip | FLAC with CUE and log | covers+booklet | 3623 mb | MP3 CBR 320kbps | RAR | 1876 mb
Classical | Label: EMI Classics (0946 340238 2 5)

You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Cluytens, Neidlinger, Greindl, Fritz Uhl, Geisler - Richard Wagner: Die Meistersinger von Nürnberg (2008)

Cluytens, Neidlinger, Greindl, Fritz Uhl, Geisler - Richard Wagner: Die Meistersinger von Nürnberg (2008)
EAC | FLAC (tracks+.cue, log) | Covers Included | 04:31:25 | 653 MB
Genre: Classical, Opera | Label: Walhall Eternity Series | Catalog: WLCD 0214

This recording of a live performance of MEISTERSINGER from Bayreuth 1957 definitely merits five stars. For those of you who don't already know this, Gustav Neidlinger (PeaceBeUponHim) was the undisputed master of Wagner's "howling-and-spitting" villain roles, Alberich and Klingsor, from the early 1950s until the mid 1970s. He sang with unmatched sulfur, cannon-ball density, huge volume, dark tone, and powerful dramatic interpretation. He sang more spontaneously and from-the-gut than most singers. He was the first of his generation to sing these roles with musical line and connected legato, rather than as a series of isolated shouts, grunts, and bellowings. He was typecast for these villainous roles as soon as he set foot on the stage, and almost never performed as a good-guy.