A partisan comes secretly to town to find about what happened to his little son who barely remembers him. He is horrified when he finds out that his son is raised in a colaborators' orphanage, brought up to hate communists and partisans. He decides to take his son to the freed territory with him, but will he manage to escape the police checkings?
Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion.
Arnold Boult is determined to make his son a success at all costs. He commits arson, causes two suicides, and bribes people. His wife, unable to leave him, becomes alcoholic and dies. His son is killed. After doing time in prison he searches for his illegitimate grandson.
John Jefferson comes home from a trip overseas a strangely changed man. His already nervous wreck of a mother is distraught by the way he seems to be feigning feelings for her and his father that he no longer has. Plus, his odd refusal to accompany the family to church on Sunday not only disturbs her but their priest as well. He also seems to be making fun of and smirking at his father's jubilant expressions of patriotism.