This video is about the ubiquitous human activity of building with wood, and highlights common concerns faced by all woodworkers. By contrasting age-old Japanese tools, technology and techniques with the more common approaches in Western methodologies, the challenges, insights and options modern woodworkers face come into clearer resolution.
Morning Wood refers to the eponymous CD released by Tony and an all-star line-up including, Al Pitrelli, Chuck Bonfonte and Danny Mirada. The project grew out of the series of shows Tony had participated in with Al's cover band, Ethyl Mertz. It was an acoustic project and mostly about the musicians enjoying themselves. When it was decided to record some tracks, the name Morning Wood surfaced. On how the CD came together, Tony said "We had been playing live with that line-up and the shows sounded really good so we just went in and recorded the band live and finished the thing in about ten days."
Unique album that combines the different artistic characters of the band members in a very harmonic way. Melodic, powerful metal with a beautiful female voice will be lifted into a new dimension with this album of Beautiful Sin. "The Unexpected" is an excellent surprise! Highly recommended! Nowadays this band is history.
Far and away the prettiest record Jethro Tull released at least since Thick as a Brick and a special treat for anyone with a fondness for the group's more folk-oriented material. Ian Anderson had moved to the countryside sometime earlier, and it showed in his choice of source material…
Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.