…Writing of the chamber music of Friedrich Kiel, the famous scholar and critic Wilhelm Altmann notes that it was Kiel’s extreme modesty which kept him and his exceptional works from receiving the consideration they deserved. After mentioning Johannes Brahms and others, Altmann writes, “He produced a number of chamber works, which . . . need fear no comparison.”…
“Presenting Friedrich Kiel“. Hans Zentgraf’s MDG recordings have brought this cellist critical acclaim. These recordings include “an interpretation of the Bach suites compelling for its independent angle“ and a Reger CD representing” a high-level, tonally beautiful new recording.“ (FonoForum)
The origins of Philip Glass' Voices, for didgeridoo and organ was specific: a commission from the city of Melbourne, Australia, in 2001. Yet the instrumental combination works so well that it seems almost foreordained, and Glass went on to write further music for the soloist here, Mark Atkins. In this performance, the didgeridoo and organ tracks were recorded separately, in Australia and upstate New York, respectively, and in Glass' metronomic world this works well enough. Yet one hopes that this release on Glass' Orange Mountain Music label is enough to spur future live performances with both players in the same room. The addition of the didgeridoo to the relatively homogeneous texture of Glass' organ writing is dramatic, but it doesn't disturb the basic shifting fields of the composer's music. It just deepens their color and variety in an immensely attractive way.
“This disc represents a major expansion in repertoire … excellently played and recorded“ (Fanfare)