Jack Dejohnette

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 232MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 248MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Keith Jarrett & Jack DeJohnette - Ruta And Daitya (1973) {ECM 1021}

Keith Jarrett & Jack DeJohnette - Ruta And Daitya (1973) {ECM 1021}
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© 1973, 2007 ECM Records | ECM 1021
Jazz / Post Bop / Piano / Drums

Splitting his time between the electric and acoustic pianos and a bit of organ, Jarrett teams up with drummer/percussionist Jack DeJohnette in a series of experimental duets, his only electric session for ECM. The all-acoustic title number ranges all over the lot, from tootling on a bamboo (?) flute to the energizing barrelhouse gospel riffs that would bloom in the solo concerts.
Richie Beirach / Dave Holland / Jack DeJohnette - Trust (1996) {Evidence}

Richie Beirach / Dave Holland / Jack DeJohnette - Trust (1996) {Evidence}
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MP3 CBR 320 Kbps | 122MB + 5% Recovery
Genre: Jazz, Post-Bop

Though Richie Beirach isn't obscure, he isn't as well-known as he should be. A flexible pianist, Beirach can be quite lyrical on standards, although being cerebral and abstract also comes easy to him. One of the more cerebral, unsentimental albums he recorded in the '90s was Trust, a fine post-bop trio date boasting Dave Holland on bass and Jack DeJohnette on drums.
Jack DeJohnette, Ravi Coltrane, Matthew Garrison - In Movement (2016) [Official Digital Download 24/96]

Jack DeJohnette, Ravi Coltrane, Matthew Garrison - In Movement (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 54:25 minutes | 1,08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

On In Movement, veteran drummer Jack DeJohnette's introduces his adventurous, multigenerational new trio. Fifty years ago, as a guest with John Coltrane's group, DeJohnette played with the fathers of his current trio members, saxophonist Ravi Coltrane and bassist Matthew Garrison, son of Jimmy Garrison. In a programme full of references to jazz history, the forward movement of this ensemble is nonetheless unmistakeable.
John Surman & Jack DeJohnette - Invisible Nature (2002) {ECM 1796}

John Surman & Jack DeJohnette - Invisible Nature (2002) {ECM 1796}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 400dpi | 466MB + 5% Recovery
Genre: Avant-Garde Jazz

John Surman (on baritone and soprano saxophones, bass clarinet, and synthesizers) and Jack DeJohnette (playing drums, electronic percussion, and piano) make for a very intriguing duo on these seven originals taken from a pair of live concerts. Other than "Song for World Forgiveness" (a ballad mostly by DeJohnette), the music is primarily freely improvised yet manages to be melodic, diverse, and logical. The performances are atmospheric, with both players utilizing electronics in spots while retaining their own musical personalities. Surman has long been a very flexible and mostly laid-back player, while DeJohnette also has the ability to fit in almost anywhere. Rather than individual melodies or solos, this CD is most notable for its overall feel and the blend between these two unique musicians.
Jack DeJohnette feat. Bill Frisell - The Elephant Sleeps But Still Remembers (2006) {Golden Beams}

Jack DeJohnette feat. Bill Frisell - The Elephant Sleeps But Still Remembers (2006) {Golden Beams}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 338MB + 5% Recovery
Genre: Jazz, Fusion

Drummer Jack DeJohnette, now four releases down the road with his Golden Beams label, turns to the archives for this historic live set with Bill Frisell. The guitarist first heard DeJohnette's music as a teenager in the '60s, though it took some time before they would first perform together on Don Byron's Romance with the Unseen (Blue Note, 1999). They embrace a shared musical vision with one ear to the ground, digging the groove, and the other wide open to the possibilities of spontaneous invention in the moment.
World Saxophone Quartet featuring Jack DeJohnette - Selim Sivad: A Tribute to Miles Davis (1998) {Justin Time Records}

World Saxophone Quartet featuring Jack DeJohnette - Selim Sivad: A Tribute to Miles Davis (1998) {Justin Time Records}
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© 1998 Justin Time Records | JUST 119-2
Jazz / Avant-Garde Jazz / Saxophone

While there is a plethora of Miles Davis tribute albums out there, this one is interesting for the basic fact that this horn quartet attempts to evoke his spirit without the use of a trumpet. To add spice, they employ African drums, with kalimba and voice. Selim Sivad: The Music of Miles Davis is the fifteenth album by the jazz group the World Saxophone Quartet and their third on the Canadian Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray, with guests Jack DeJohnette, Chief Bey, Okyerema Asante, and Titos Sompa and is dedicated to Miles Davis.

Jack DeJohnette - New Directions (1978) {ECM 1128}  Music

Posted by tiburon at Oct. 4, 2015
Jack DeJohnette - New Directions (1978) {ECM 1128}

Jack DeJohnette - New Directions (1978) {ECM 1128}
EAC 0.95b4 | FLAC Image | Cue+Log | Full Scans 300dpi | 250MB + 5% Recovery
Genre: Jazz, Post-Bop, Fusion

This album was indeed a new direction for drummer Jack DeJohnette, by then an ECM mainstay who with this effort flirted with the free-flowing atmospheres then characteristic of the label’s popular European projects. John Abercrombie—another household name whose amplified strings do wonders for DeJohnette’s impulses—forms, along with Chick Corea veteran Eddie Gomez on bass, a triangular foundation upon which trumpeter Lester Bowie—the album’s shining star—builds his towering sentimentalism.

Jack DeJohnette - New Directions In Europe (1980) {ECM 1157}  Music

Posted by tiburon at Oct. 3, 2015
Jack DeJohnette - New Directions In Europe (1980) {ECM 1157}

Jack DeJohnette - New Directions In Europe (1980) {ECM 1157}
EAC 0.99pb4 | FLAC Image level 6 | Cue+Log | Full Scans 300dpi | 323MB + 5% Recovery
Genre: Jazz, Post-Bop, Fusion

Drummer Jack DeJohnette's New Directions tended to promise much more than it delivered. The quartet (comprised of the leader on drums and piano, trumpeter Lester Bowie, guitarist John Abercrombie and bassist Eddie Gomez) was certainly full of talent, even if their performances often rambled before finding purpose. This live set has four lengthy pieces, three of which are DeJohnette originals (including "Where or Wayne") and a free improvisation by the band.