Sunny and improvisational, Boney James's SHINE–his 10th studio outing–finds the lite urban jazz sax maven in top form. By emphasizing the R&B side of his recipe and inviting friends like Faith Evans and the easy-listening jazz legend George Benson, James scores his most accessible album yet and crosses over to the R&B and Pop Charts in the process. The album includes a cover of Chuck Mangione's "Soft."
Retreating from the experimental tendencies of Laid and Wah-Wah, James return to straight-forward anthemic folk-rock with Whiplash. Although the album isn't a retread of Seven or Gold Mother, it is considerably more rock-oriented than its two predecessors, particularly because the group has incorporated some elements of Brit-pop into their music.
2010 mini album from the veteran Britpop outfit fronted by Tim Booth. Produced by Lee 'Muddy' Baker, The Night Before seems fearless in comparison to its predecessors, a product, no doubt, of the way it was conceived: the band set up an ftp site to which they all contributed, downloading and updating each other's efforts at various intervals whilst Baker knocked things into shape. This "virtual" recording process (which eventually led to recording sessions in Brighton and Oswestry), was presumably inspired by the band's history of working with Brian Eno and has brought out the best in James, the results proving as diverse and intriguing as anything the band have attempted before.
Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download. Each CD featured detailed liner notes along with two related drink recipes, tips on how to serve drinks to guests, and often photographs of sculptures made out of bartender items and other objects.