New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion the full spectrum of baroque opera seria is here in this brilliant, vivid setting of a powerful and moving story.
Pergolesi - a musical genius cut off in his prime. Famed for his Stabat Mater, even though he died aged just 26 he had already completed four opera seria; Adriano in Siria is the third of these. Composing for only around a decade before he succumbed to tuberculosis aged 26, Giovanni Battista Pergolesi was so well known for his music that the instant that his death was known, all Italy manifested an eager desire to hear and possess his productions …
Marios Papadopoulos plays Janacek's sonata with a gentle, romanticizing melancholy that is nature can well encompass, even if such an approach can diminish the work's sense of tragedy. It is a work with a tougher core than is here suggested. However, this is not an unattractive performance, and Papadopoulos seems more attuned to its manner than to the crisp assertions of the Capriccio or of Stravinsky's Concerto. It does not seem a good idea to attempt the Capriccio without a conductor. The admirable RPO players sound less than wholly comfortable, and their ensemble is a trifle precarious at times; moreover, the work's odd, sharp character does not emerge with sufficient definition.
A fascinating set from three strong and contrasting musical personalities: Norwegian saxophonist, Brazilian guitarist-pianist, and US bassist making purposeful and creative music together on this previously unreleased live recording. “Carta de Amor” documents music captured at Munich’s Amerika Haus in April, 1981. Two years on from the much-loved albums “Magico” (ECM 1151) and “Folk Songs” (ECM 1170), the trio’s improvisational empathy and sensibilities were further honed by experiences as a touring group. Repertoire includes five pieces from Gismonti’s pen, with the title track heard in two variations, opening and closing this enthralling double album.