Jan Garbarek

Jan Garbarek, The Hilliard Ensemble - Officium Novum [2010]  Music

Posted by Juma at Sept. 23, 2010
Jan Garbarek, The Hilliard Ensemble - Officium Novum [2010]

Jan Garbarek, The Hilliard Ensemble - Officium Novum
FLAC (EAC rip) & mp3 @ 320 kbps | tracks | Log+CUE | cover scans | 265 MB (FLAC) & 145 MB (mp3) incl. 3% recovery
Genre: Classical, Jazz, Crossover | Label: ECM New Series (ecm 2125) | Year: 2010

… this new collaboration, whose familiar sound-world takes a slight sideways step into a more Eastern-influenced, Armenian direction, along with pieces by Pérotin and Arvo Pärt, offers a natural extension to the 1994 original. It's also strikingly beautiful, whether listened to attentively or as superior audio wallpaper. (Phil Johnson in The Independent, 12 September 2010)
Jan Garbarek - Places (1978/2017) [Official Digital Download 24/192]

Jan Garbarek - Places (1978/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 48:35 minutes | 1,76 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This 1978 release features four original, extended-length pieces by Norwegian saxophonist Jan Garbarek, leading his quartet comprising keyboardist John Taylor, guitarist Bill Connors and drummer Jack DeJohnette.
Jan Garbarek / Egberto Gismonti / Charlie Haden - Magico-Carta De Amor (2012) [2CD] {ECM 2280/81} [Re-Up]

Jan Garbarek / Egberto Gismonti / Charlie Haden - Magico-Carta De Amor (2012) [2CD] {ECM 2280/81}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 516MB + 5% Recovery
MP3 CBR 320 Kbps | 247MB + 5% Recovery
Genre: Jazz

A fascinating set from three strong and contrasting musical personalities: Norwegian saxophonist, Brazilian guitarist-pianist, and US bassist making purposeful and creative music together on this previously unreleased live recording. “Carta de Amor” documents music captured at Munich’s Amerika Haus in April, 1981. Two years on from the much-loved albums “Magico” (ECM 1151) and “Folk Songs” (ECM 1170), the trio’s improvisational empathy and sensibilities were further honed by experiences as a touring group. Repertoire includes five pieces from Gismonti’s pen, with the title track heard in two variations, opening and closing this enthralling double album.

Jan Garbarek - Triptykon (1973) {ECM 1029}  Music

Posted by tiburon at Oct. 10, 2016
Jan Garbarek - Triptykon (1973) {ECM 1029}

Jan Garbarek - Triptykon (1973) {ECM 1029}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 291MB + 5% Recovery
MP3 CBR 320 Kbps | 184MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz

Norwegian saxophonist Jan Garbarek took several intriguing stylistic turns early in his career, none more extreme than that shown on Triptykon. While he had always shown an affinity for the work of Albert Ayler and other free jazz musicians who came of age in the '60s, his prior albums retained a more straight-ahead rhythmic drive and more than a passing nod to experimental rock and fusion. Here, he jettisoned guitarist Terje Rypdal and replaced the sometimes overly delicate percussion work of Jon Christensen with the more earthy and heavy sounding Edward Vesala. The result is an expressionist trio drawing on both free improvisation and Scandinavian folk tunes, roaring, stumbling, and reeling, evoking an aural equivalent of Edvard Munch.

Jan Garbarek - Dansere (2012) [3CDs] {ECM 2146/48}  Music

Posted by tiburon at Oct. 9, 2016
Jan Garbarek - Dansere (2012) [3CDs] {ECM 2146/48}

Jan Garbarek - Dansere (2012) [3CDs] {ECM 2146/48}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 874MB + 5% Recovery
MP3 CBR 320 Kbps | 290MB + 5% Recovery
Genre: Jazz

A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
Jan Garbarek & The Hilliard Ensemble - Mnemosyne (1999) [2CD's] {ECM 1700/1} [Re-Up]

Jan Garbarek & The Hilliard Ensemble - Mnemosyne (1999) [2CD's] {ECM 1700/1}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 570MB + 5% Recovery
MP3 CBR 320 Kbps | 239MB + 5% Recovery
Genre: Classical, Folk, World, Jazz

It's been six years since these same performers got together to create one of the decade's more unusual experiments in musical alchemy. Beginning with the raw materials of early music and modern jazz, the four male voices of the Hilliard Ensemble joined with jazz saxophonist Jan Garbarek to see what would happen when the proper measure of old music and new style were combined, shaped by the performers' considerable experience and collective aesthetic vision.

Jan Garbarek / Kjell Johnsen - Aftenland (1980) {ECM 1169}  Music

Posted by tiburon at June 13, 2016
Jan Garbarek / Kjell Johnsen - Aftenland (1980) {ECM 1169}

Jan Garbarek / Kjell Johnsen - Aftenland (1980) {ECM 1169}
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Full Scans 300dpi | 216MB + 5% Recovery
MP3 CBR 320 Kbps | 108MB + 5% Recovery
Genre: Jazz

Jan Garbarek is, of course, one of ECM’s longest standing composers and saxophonists, yet he is first and foremost a spectacular improviser who often manages to reach farther than (I imagine) even his own expectations in touching new melodic concepts. Paired with the Spheres-like church organ of Kjell Johnsen, he plumbs the depths of spiritual and physical awareness in a way that few of his albums have since. Here more than anywhere else, he shapes reverberation into its own spiritualism, exploring every curve of his surrounding architecture, every carved piece of wood and masonry.
Charlie Haden / Jan Garbarek / Egberto Gismonti - Folk Songs (1981) {ECM 1170} [Re-Up]

Charlie Haden / Jan Garbarek / Egberto Gismonti - Folk Songs (1981) {ECM 1170}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 600dpi | 263MB + 5% Recovery
MP3 CBR 320 Kbps | 177MB + 5% Recovery
Genre: Jazz, Fusion, Ethnic Fusion

One of the better ECM recordings, this collaboration by bassist Charlie Haden, Jan Garbarek on tenor and soprano, and Egberto Gismonti (switching between guitar and piano) is filled with moody originals, improvisations that blend together jazz and world music, and atmospheric ensembles.

Jan Garbarek - Paths, Prints (1982) {ECM 1223} [Re-Up]  Music

Posted by tiburon at Feb. 21, 2016
Jan Garbarek - Paths, Prints (1982) {ECM 1223} [Re-Up]

Jan Garbarek - Paths, Prints (1982) {ECM 1223}
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Full Scans 600dpi | 243MB + 5% Recovery
MP3 CBR 320 Kbps | 128MB + 5% Recovery
Genre: Jazz

December of 1981 was a magical month for ECM, producing such treasures as Psalm and Opening Night. On Paths, Prints, however, Manfred Eicher raised the bar yet again in bringing together another of his unique dream teams. Jan Garbarek, Bill Frisell, Eberhard Weber, and Jon Christensen in the same studio? Engineering complexities aside, one need only have hit Record, taken a nap, and awoken to masterful results. Throughout this session, Garbarek’s sharply defined reveries prove the perfect fulcrum for Frisell’s broadly sweeping clock hands.

Jan Garbarek - Visible World (1996) {ECM 1585} [Re-Up]  Music

Posted by tiburon at Feb. 19, 2016
Jan Garbarek - Visible World (1996) {ECM 1585} [Re-Up]

Jan Garbarek - Visible World (1996) {ECM 1585} [US Pressing]
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 600dpi | 372MB + 5% Recovery
MP3 CBR 320 Kbps | 183MB + 5% Recovery
Genre: Jazz, World Fusion

Apart from David Sanborn, probably no living saxophonist has a more instantly recognizable voice than Jan Garbarek; actually, given the fact that Sanborn's sound is so widely copied, Garbarek's may be easier to identify in a blindfold test. This album in particular puts that sound front and center. Garbarek's the show; he composed all of the music, and is essentially the only soloist. The music (much of which was composed as soundtrack material for film or video) is quintessential Garbarek, full of the world music influences that have characterized his work since the 1970s.