Recorded live at The Osaka Festival Hall, March 16, 1980 as part of the The Memorial Festival Of ABC (Asahi) TV's 30th Anniversary. “GRP All-Stars Live In Japan” offers all the excitement of a rare Dave Grusin stage performance. The event was part of a successful tour through Japan, and also taped for television among festivities celebrating the 30th anniversary of Asahi (ABC) Television. This tour, showcasing the talents of new GRP signings Dave Valentin, Tom Browne and Bobby Broom, had been on Dave Grusin's agenda for some years before it materialized in 1980. Now all the elements came into place, and added to the mix of the New-York based band were the tasty bass of Marcus Miller and keyboard talents of old Japan hand, Don Grusin.
This CD contains selections from a triumphant Japanese tour which saw three-fourths of the original lineup augmented by such guest stars as guitarists Barry Finnerty and Roland Bautista, percussionist Rafael Cruz, and bassist Alphonso Johnson. But the interaction and contributions of Joe Sample, Wilton Felder, and Stix Hooper make this memorable, plus the fact that this is the first time the complete concert has ever been available on a domestic release. It's really a "greatest-hits live" CD, with such familiar numbers as "Spiral," "Rainbow Seeker," "So Far Away" and "Put It Where You Want It" part of the menu. While not in the class of such classic releases as 1, Scratch, or Second Crusade, this is still a welcome addition to the legacy of a sorely underrated group.
Recorded live at The Osaka Festival Hall, March 16, 1980 as part of the The Memorial Festival Of ABC (Asahi) TV's 30th Anniversary. “GRP All-Stars Live In Japan” offers all the excitement of a rare Dave Grusin stage performance.
At only 32 and a half minutes, but Intermodulation still remains a precious set of music from these two great modern jazz musicians.
The 1981 compilation Assemblage gives a skewed, incomplete picture of Japan's early career; this is not necessarily a bad thing, as Japan's early career frankly wasn't very good, and it certainly had little to do with the mature, studied art-pop of their later albums…
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Mid-'80s big band recordings featuring the arrangements and compositions of David Matthews, mixing swing, bop, soul-jazz, and fusion influences. There's a blend between acoustic and electric, standards and originals, and tightly crafted ensemble-dominated arrangements and straight blowing material.
Escape was a groundbreaking album for San Francisco's Journey, charting three singles inside Billboard's Top Ten, with "Don't Stop Believing" reaching number nine, "Who's Crying Now" number four, and "Open Arms" peaking at number two and holding there for six weeks. Escape flung Journey steadfastly into the AOR arena, combining Neal Schon's grand yet palatable guitar playing with Jonathan Cain's blatant keyboards…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.